New Music Reviews
Music Reissues Weekly: Kokomo - To Be CoolSunday, 08 May 2022
Over January, February and early March 1975, British music fans could buy tickets for what was titled The Naughty Rhythms Tour. Three bands were billed, with the running order changing each evening. The tour was the idea of Andrew Jakeman, who worked for one of the bands, and Chris Fenwick, the manager of another: on their own, each band couldn’t fill larger venues. Together, more tickets would be sold and fans would be picked up. Read more... |
Spiritualized, Symphony Hall, Birmingham review - a curate's egg of a show from Jason Pierce's space rockersWednesday, 04 May 2022
Most artists tend to view the live arena as an opportunity to commune with fans old and new, with audience reaction being an integral part of the whole experience. Not so much Jason Pierce’s Spiritualized. Read more... |
Music Reissues Weekly: Dusty Springfield - Dusty Sings SoulSunday, 01 May 2022
First on were The Supremes with “Baby Love.” Next, The Miracles performed “You Really Got a Hold on me.” After this, Stevie Wonder’s “I Call it Pretty Music But the Old People Call it the Blues,” The Temptations’ “The Way You do the Things You do” and Martha & The Vandellas’ “Heatwave.” Read more... |
The Divine Comedy, Usher Hall, Edinburgh review - a pleasing pop trip through the yearsFriday, 29 April 2022
Careful consideration is needed when leaving your seat at a Divine Comedy gig. “He’s off for a drink,” observed Neil Hannon of the audience member ambling away during a rendition of “Gin Soaked Boy”, before adding, accurately, “this song’s excellent.” Indeed it was, and a fitting closer to the first half of this leisurely, career-spanning set dedicated, mostly, to the hits. Read more... |
The Vaccines, Barrowland, Glasgow review - pacy but predictable rock'n'rollTuesday, 26 April 2022
You could never accuse the Vaccines of being the most subtle of bands. When the London quintet ran through the intro to “Surfing in the Sky”, their frontman Justin Young started to shoogle around onstage as if, yes, he was riding a surfboard, in case the song’s title and Ventures-cum-Beach Boys opening hadn’t made the inspiration clear enough. Read more... |
theartsdesk on Vinyl 70: Marianne Faithful, Honey Bane, Tinariwen, Kraftwerk, PJ Harvey, Dowdelin and moreTuesday, 26 April 2022
Spring is in the air and vinyl is, as always, on the turntable here at theartsdesk on Vinyl. We’ve been ploughing through all the latest releases and reissues, played loud on a large sound system, each evaluated as fully as possible. Below you’ll find 7000 words to pick through and locate what sounds good to you. Unrestricted by genre, all musical life is here. Dive in! Read more... |
Music Reissues Weekly: Fame - Jon Savage’s Secret History Of Post-Punk (1978-81)Sunday, 24 April 2022
“The Method” by The Method Actors was issued as the top side of a single in July 1981. Although recorded in London during September 1980 and only released by a British label, the band – a duo of guitar/vocals and drums/vocals – were from Athens, Georgia. Read more... |
Foals, Usher Hall, Edinburgh review - a euphoric returnSaturday, 23 April 2022
Much has changed for Foals since their current run of shows were first announced. Initially scheduled to support 2019’s twin releases of Everything Not Saved Will Be Lost Parts 1 and 2, so much time has passed that the group are now set to release their next album instead, while in the meantime they’ve seen keyboardist Edwin Congreave depart and, on a rather less dramatic note, released their own brand of hot sauce. Read more... |
Album: Linnéa Talp - Arch of MotionFriday, 22 April 2022
Contrary to the title’s implication, there initially seems to be little movement in Arch of Motion. A note is held on an organ. Then another note comes in and is also held. Chords build up gradually. Maybe one or two ascending or descending notes come and go. And that seems to be it. Read more... |
Teenage Fanclub, Union Chapel review - pushing forward with gustoWednesday, 20 April 2022
Teenage Fanclub open their set with “Home”, the first single from their last album Endless Arcade. It’s followed by the title track, “Endless Arcade”. The first was written by Norman Blake, the second by Raymond McGinley – the album’s sole songwriters. Read more... |
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