New Music Reviews
Music Reissues Weekly: John Barry - The More Things ChangeSunday, 29 May 2022
By 1970, John Barry had composed music for Born Free, The Lion in Winter, Midnight Cowboy, You Only Live Twice and about 38 other films. His work with cinema began in 1960 and averaged around five films a year. In 1965, eight films were released with his music. He was busy. Read more... |
Music Reissues Weekly: Patty Waters - You Loved MeSunday, 22 May 2022
“Touched by Rodin in a Paris Museum” is a 14-minute consideration of exactly what its title says: the impact of encountering Auguste Rodin’s work in person. The composition features piano only. There are nods to Debussy and Ravel. The playing is measured and minimal yet still full-bodied. At odd points, there are seconds of complete silence. Read more... |
MØ, Heaven, London review - snappy, sexy and energisedFriday, 20 May 2022
“I live to survive another heartache/I live to survive another mistake,” roars a sold-out Heaven. It’s a new song but everyone seems to know it. It’s not MØ’s most famous song but is the bluntest monster banger of the night, crunching four-to-the-floor club-pop that brooks no argument. It’s the last of the set (prior to an encore) and MØ is now a perspiring ball of energy. Read more... |
Tallies, Old Blue Last review - Canadian quintet rejuvenates indie prototypesWednesday, 18 May 2022
Toronto’s Tallies have acknowledged their fondness for Aztec Camera, The Smiths and The Sundays. Add Cocteau Twins into the building blocks, too. Encountering a band so strongly immersed in the back catalogues of familiar names can obscure what’s really notable about them. Do they transcend their influences? Read more... |
Charli XCX, O2 Academy, Glasgow review - sweat-drenched pop amid feverish atmosphereTuesday, 17 May 2022
“This town makes me sweat”, declared Charlotte Aitchison at one point in this set, as she took a brief breather between songs. The 29-year-old should have tried being in the audience, for this was a sweat-drenched evening right from the opening seconds, with a wildly devoted crowd which congregated into a heaving mass rapidly and consistently. Read more... |
The Great Escape 2022, Brighton review - sunshine, queues, and thrilling new bandsMonday, 16 May 2022
My friend George claims to have nightmares about The Great Escape. In them he’s standing in an endless queue, never reaching the front, never entering the venue, and never seeing the band he wants to see. That was his experience the only time he attended, and he consequently reckons The Great Escape is rubbish. “I’ve been going for years and that’s never happened to me,” I said to him. “Yeah, well, you’re press, aren’t you,” he responded, with only a smidgeon of bitterness. Read more... |
Music Reissues Weekly: 999 - A Punk Rock AnthologySunday, 15 May 2022
“Ramonic buzzsaw impressionism guitars lovingly poured like a truckload of Quaker Oats over the indecipherable lyrical content that sounds like a rancid moggie that has snorted too much Pro-Plus.” So that was a possible thumbs-up from NME’s Tony Parsons in his review of 999’s August 1977 debut single “I’m Alive.” Read more... |
Transgressive Records showcase, The Great Escape, Brighton review - five acts offer intriguing pop alternativesSaturday, 14 May 2022
Onstage at The Old Market in Hove, New York’s Mykki Blanco has been waving around a knot of garlic bulbs as if it were a wand or occult aspergillum. At some point during Blanco’s punchy rendition of 2016 single “Loner”, or possibly the dizzier “Summer Fling”, they transfer it to the flies of their trousers, let it hang there, all mischief. They explain that this is the result of the band becoming obsessed with “a mad coven of witches in Italy”. Read more... |
theartsdesk in Estonia: Tallinn-Narva Music Week review - solidarity through music on the Russian borderWednesday, 11 May 2022
The gentleman in the centre of the picture above is Ivan Dorn. In Ukraine, he’s a pop star. A big pop star. His music, as he puts it on stage during the show opening Tallinn-Narva Music Week, is “pure Ukrainian house music.” Yep, there’s the bing-bong piano lines and cowbell beats of the pop end of house. Read more... |
alt-J, Barrowland, Glasgow review - unlikely anthems from the shadowsMonday, 09 May 2022
Prior to alt-j’s encore getting underway their video wall switched to the Ukrainian flag. “Fuck Putin!” bellowed keyboardist Gus Unger-Hamilton, to hearty roars of approval, in what was both a brief reminder of the outside world beyond the increasingly humid Barrowland and also a look at the band themselves and their own emotions, which otherwise remained distant during this show. Read more... |
Pages
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
latest in today
'We are bowled over!' Thank you for your messages...
