New Music Reviews
Soweto Kinch, LSO / 'London Third Stream', London Sinfonietta, EFG London Jazz Festival review - projects from the political to the loop-ySaturday, 20 November 2021![]()
“Take Jazz Seriously,” wrote Maurice Ravel after his American trip in 1928. This past week of the 2021 EFG London Jazz Festival has seen that advice itself being taken seriously, with a bunching of projects and premieres. Jazz musicians have been welcomed in to work with London orchestras. The fruition of months of preparatory work has been on show. Read more... |
Cécile McLorin Salvant, EFG London Jazz Festival review - strength, vulnerability and humourThursday, 18 November 2021![]()
A fascinating song list that juxtaposed originals with musical theatre, pop songs, Brazilian music and more. Read more... |
OMD/Scritti Politti, Brighton Centre review - an engaging, ebullient good timeThursday, 18 November 2021![]()
A persistent moan of this writer in recent years, about gigs attended by those his own age (54) and up, is that, however good the band is, the audience are stationary, staring, semi-catatonic. They don’t twitch or move, facing stage-wards earnestly, silent, as if watching Chekov at the theatre. Their joy, if it exists, is internalised, unreleased. Dancing something forgotten long ago. Read more... |
The Jesus and Mary Chain, Barrowland, Glasgow review - Scottish siblings still the loudest gang in townTuesday, 16 November 2021![]()
There is unquestionably a more mellow side to the Jesus and Mary Chain these days, even when reviving their most ferocious glories from the past. Prior to launching this two-halved set, comprising their 1987 classic Darklands to begin with and a mixture of singles, B-sides and obscurities for after, vocalist Jim Reid took time out to politely explain the format. Read more... |
Jazz Voice, EFG London Jazz Festival review - from intimate delicacy to stunning virtuositySunday, 14 November 2021![]()
A celebration of that most extraordinary instrument, the human voice, this year’s edition of Jazz Voice – which gladly welcomed back a live audience and a full-strength EFG London Jazz Festival Orchestra – ranged from music of intimate delicacy to stunning virtuosity. Read more... |
Music Reissues Weekly: Essiebons Special 1973-1984 Ghana Music Power HouseSunday, 14 November 2021![]()
One of the most interesting tracks on Essiebons Special 1973–1984 Ghana Music Power House is Joe Meah’s mysterious "Dee Mmaa Pe". It’s not mentioned in the compilation’s accompanying booklet, and Joe Meah doesn’t figure in any of the standard discographies littering the world-wide web. Read more... |
Black Pumas, O2 Institute, Birmingham review - bluesy grooves with high octane energyThursday, 11 November 2021![]()
Having been founded only in 2017 by singer/songwriter Eric Burton and guitarist/producer Adrian Quesada, Black Pumas have been rapidly rising to fame, with a Grammy award nomination in 2020 and the majority of their current European tour dates sold out. Read more... |
Jane Weaver, Hare & Hounds, Birmingham review – alt-popper struggles with lethargic audienceMonday, 08 November 2021![]()
Back in the mid-'80s, in a time before acid house and Bez’s freaky dancing, there was a type of audience that seemed endemic at indie gigs and that just didn’t want to dance. Hordes of blokes (and it was mainly blokes) would stand facing the stage with their feet firmly planted on the floor, moving only to raise pints of lager to their lips and maybe to clap between songs. Read more... |
Music Reissues Weekly: Blow My Mind! The Doré-Era-Mira Punk & Psych LegacySunday, 07 November 2021![]()
Any compilation with a track credited to “Unknown Artist” is always going to entice, especially when it’s one which goes the full way by digging into original master tapes to find the best audio sources and previously unearthed nuggets. Read more... |
Album: Electric Eye - HorizonsWednesday, 03 November 2021![]()
Bergen’s Electric Eye’s pithy description of themselves is “psych-space-drone-rock from Norway.” They also say they “play droned out psych-rock inspired by the blues, India and the ever-more expanding universe.” Horizons is their fourth studio album. Read more... |
Pages
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
latest in today

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...

There’s nothing more healthy than dissing your own dad, and filmmaker Amalia Ulman says that her old man was “a Gen X deadbeat edgelord skater”...

As every social space in Brighton once again transforms into a mire of self-important music biz sorts loudly bellowing about “waterfalling on...

If you compiled a list of favourite TV series from the last couple of decades, you’d find that Zoë Telford has appeared in most of them. The...

It was a daring idea to mark Ravel’s 150th birthday year with a single concert packing in all his works for solo piano. Jean-Efflam Bavouzet knows...

Good One is a generation-and-gender gap drama that mostly unfolds during a weekend hiking and camping trip in the Catskills Forest...

It’s hard to say who is going to enjoy E.1027 – Eileen Gray and the House by the Sea. Admirers of the modernist designer-architect will...

Rico Nasty’s new album LETHAL signals a shift in direction, but whether it is a bold evolution or a step towards something less distinct...

In Emmanuel Courcol’s drama The Marching Band (En Fanfare in French, and also released as My Brother's Band), a...

Lucy Farrell, one quarter of the brilliant, award-winning Anglo-Scots band Furrow Collective, and a solo artist whose stunning debut album, We...