New Music Reviews
My Chemical Romance, OVO Hydro, Glasgow review - caring, sharing emo kings holler to the heavensWednesday, 01 June 2022
It is a testament to the enduring appeal of My Chemical Romance that this show was credited with having sold the most tickets in the OVO Hydro’s history, and yet still formed one of the group’s smaller dates on the UK leg of their reunion tour. Read more... |
theartsdesk in Bergen: Nattjazz, Nutshell review - Norway makes the case that musical genres are obsoleteWednesday, 01 June 2022
Superless are playing live for the first time. Instead of being bottom of a bill, this quartet have a prime spot at Bergen’s Nattjazz festival. Given the eminence of who’s in the band, it makes sense. Ingebrigt Håker Flaten (bass), Eirik Hegdal (woodwind) and Øyvind Skarbø (drums) are Norwegian and American guitarist Jeff Parker is based in Los Angeles. Read more... |
Alice Cooper & The Cult, Resorts World Arena, Birmingham review - rock’n’roll veterans bring it onWednesday, 01 June 2022
Rock’n’roll has been credited with incredible powers of rejuvenation many times before, but if there are two men who seem to have seriously benefitted from its mystical power, it’s Alice Cooper (74 years old) and Ian Astbury (60 years old). These are two men who would be eligible for free bus passes in the UK but who can still get down with the best of them – and are still in miraculously fine voice. Read more... |
Music Reissues Weekly: John Barry - The More Things ChangeSunday, 29 May 2022
By 1970, John Barry had composed music for Born Free, The Lion in Winter, Midnight Cowboy, You Only Live Twice and about 38 other films. His work with cinema began in 1960 and averaged around five films a year. In 1965, eight films were released with his music. He was busy. Read more... |
Music Reissues Weekly: Patty Waters - You Loved MeSunday, 22 May 2022
“Touched by Rodin in a Paris Museum” is a 14-minute consideration of exactly what its title says: the impact of encountering Auguste Rodin’s work in person. The composition features piano only. There are nods to Debussy and Ravel. The playing is measured and minimal yet still full-bodied. At odd points, there are seconds of complete silence. Read more... |
MØ, Heaven, London review - snappy, sexy and energisedFriday, 20 May 2022
“I live to survive another heartache/I live to survive another mistake,” roars a sold-out Heaven. It’s a new song but everyone seems to know it. It’s not MØ’s most famous song but is the bluntest monster banger of the night, crunching four-to-the-floor club-pop that brooks no argument. It’s the last of the set (prior to an encore) and MØ is now a perspiring ball of energy. Read more... |
Tallies, Old Blue Last review - Canadian quintet rejuvenates indie prototypesWednesday, 18 May 2022
Toronto’s Tallies have acknowledged their fondness for Aztec Camera, The Smiths and The Sundays. Add Cocteau Twins into the building blocks, too. Encountering a band so strongly immersed in the back catalogues of familiar names can obscure what’s really notable about them. Do they transcend their influences? Read more... |
Charli XCX, O2 Academy, Glasgow review - sweat-drenched pop amid feverish atmosphereTuesday, 17 May 2022
“This town makes me sweat”, declared Charlotte Aitchison at one point in this set, as she took a brief breather between songs. The 29-year-old should have tried being in the audience, for this was a sweat-drenched evening right from the opening seconds, with a wildly devoted crowd which congregated into a heaving mass rapidly and consistently. Read more... |
The Great Escape 2022, Brighton review - sunshine, queues, and thrilling new bandsMonday, 16 May 2022
My friend George claims to have nightmares about The Great Escape. In them he’s standing in an endless queue, never reaching the front, never entering the venue, and never seeing the band he wants to see. That was his experience the only time he attended, and he consequently reckons The Great Escape is rubbish. “I’ve been going for years and that’s never happened to me,” I said to him. “Yeah, well, you’re press, aren’t you,” he responded, with only a smidgeon of bitterness. Read more... |
Music Reissues Weekly: 999 - A Punk Rock AnthologySunday, 15 May 2022
“Ramonic buzzsaw impressionism guitars lovingly poured like a truckload of Quaker Oats over the indecipherable lyrical content that sounds like a rancid moggie that has snorted too much Pro-Plus.” So that was a possible thumbs-up from NME’s Tony Parsons in his review of 999’s August 1977 debut single “I’m Alive.” Read more... |
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