wed 06/08/2025

Katie Colombus

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Articles By Katie Colombus

Billie Eilish, O2 review - power, authenticity and deep connection

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Sabrina Carpenter, Hyde Park BST review - a sexy, sparkly, summer phenomenon

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Album: Benson Boone - American Heart

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Album: Jenny Hval - Iris Silver Mist

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Album: Heather Nova - Breath and Air

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Memoir of a Snail review - deliciously offbeat Australian animation

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Album: FKA Twigs - Eusexua

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Albums of the Year 2024: Ca7riel & Paco Amoroso - Baño María

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Album: Laura Marling - Patterns in Repeat

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Reading Festival 2024, Day Two review - Fontaines DC, Raye and Lana del Rey

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Brighton Pride 2024 review - the UK's most fabulous festival

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Camp Bestival, Dorset 2024 - magical memories from an enchanting festival

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Sza, BST Hyde Park review - R&B superstar gives apocalyptic bug vibes

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Album: Sia - Reasonable Woman

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Ellie Goulding, Royal Philharmonic Concert Orchestra, Royal Albert Hall review - a mellow evening of strings and song

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Album: The Dead South - Chains & Stakes

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'We are bowled over!' Thank you for your messages... ...
Weilerstein, NYO2, Payare / Dueñas, Malofeev, Edinburgh Inte...

NYO2 is a group of dazzlingly talented (and terrifyingly young-looking) 14-17 year olds from the USA, one of Carnegie Hall’s three national youth...

Edinburgh Fringe 2025 reviews - Monstering the Rocketman by...

Monstering the Rocketman by Henry Naylor, Pleasance Dome ★...

theartsdesk Q&A: filmmaker Dag Johan Haugerud on sex, lo...

"First love is always both terrible and wonderful at the same time", says the 60-year-Norwegian dramatist-novelist-director...

Oslo Stories Trilogy: Dreams review - love lessons

Rising temperatures, prickling skin, longing’s all-consuming ache: first love’s swooning symptoms overtake 17-year-old Johanne (Ella Øverbye) in...

Album: Black Honey - Soak

The default setting for Brighton indie quartet Black Honey...

Káťa Kabanová, Glyndebourne review - emotional concentration...

Even more perhaps than straight theatre, opera seems to draw attention to the meaning behind what may on the face of it appear a simple story....

The Count of Monte Cristo, U&Drama review - silly telly...

Alexandre Dumas’ novel has been filmed an immeasurable number of times (there was a new French version only last year) and...

Edinburgh Fringe 2025 reviews: Lost Lear / Consumed

Lost Lear, Traverse Theatre ...

Edinburgh Fringe 2025 reviews - Alison Spittle / Christopher...

Alison Spittle, Monkey Barrel ★★★

Alison Spittle is fat, she tells us at the top of the show. But not as...