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Katie Colombus

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Articles By Katie Colombus

The Car Man, Royal Albert Hall review - grand scale drama and decadence

Monday, 13 June 2022 Read more...

The Great Estate, Redruth review - Cornwall's finest festival extravaganza

Saturday, 11 June 2022 Read more...

ABBA Voyage, Abba Arena, London review - technical mastery and musical joy

Wednesday, 01 June 2022 Read more...

Sacre, Circa Contemporary Circus, Brighton Festival review - an astonishing assortment of lifts and throws, daring and strength

Monday, 30 May 2022 Read more...

The Patient Gloria, Brighton Festival review - an electric exploration of the control and manipulation of women

Saturday, 14 May 2022 Read more...

Unchain Me, Brighton Festival review - Dostoevsky-inspired theatre through the streets of Brighton

Thursday, 12 May 2022 Read more...

Album: Aldous Harding - Warm Chris

Monday, 21 March 2022 Read more...

Album: Jenny Hval - Classic Objects

Thursday, 10 March 2022 Read more...

NDT2, Sadler's Wells review - a diverse triple bill

Friday, 18 February 2022 Read more...

Albums of the Year 2021: Dry Cleaning - New Long Leg

Sunday, 19 December 2021 Read more...

Album: Adele - 30

Saturday, 20 November 2021 Read more...

Laura Marling, Roundhouse review - simple and compelling

Thursday, 21 October 2021 Read more...

Patti Smith, Royal Albert Hall review - a wild ride from a musical legend

Wednesday, 06 October 2021 Read more...

Ben Howard, Royal Festival Hall review - authentic and reassuring

Tuesday, 21 September 2021 Read more...

Album: Sufjan Stevens & Angelo De Augustine - A Beginner's Mind

Saturday, 18 September 2021 Read more...

Rag‘n’Bone Man, Jazz Café review – powerful first post-lockdown gig

Thursday, 01 July 2021 Read more...

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'We are bowled over!' Thank you for your messages... ...
Good Night, Oscar, Barbican review - sad story of a Hollywoo...

Back in the day, when America’s late-night chat show hosts and their guests sat happily smoking as they shot the breeze for a growing...

Album: The Black Keys - No Rain, No Flowers

For a band who started by entirely self-producing their own records and performing in basements...

Edinburgh Fringe 2025 reviews - Rob Auton / Saaniya Abbas

Rob Auton, Assembly Roxy ★★★...

BBC Proms: Láng, Cser, Budapest Festival Orchestra, Ivan Fis...

“Some are born to sweet delight, some are born to endless night,” quoth Blake. Beethoven and Bartók knew both...

Wilderness Festival 2025 review - seriously delirious escapi...

Wilderness is the kind of festival where you can overhear a conversation about the philosophical implications of rewilding whilst queuing...

Album: Ethel Cain - Willoughby Tucker, I'll Always Love...

This is a weird one: I do try and stay on top of pop culture, but for several years, Ethel Cain completely passed me by. You’d think I would have...

Weilerstein, NYO2, Payare / Dueñas, Malofeev, Edinburgh Inte...

NYO2 is a group of dazzlingly talented (and terrifyingly young-looking) 14-17 year olds from the USA, one of Carnegie Hall’s three national youth...

Edinburgh Fringe 2025 reviews - Monstering the Rocketman by...

Monstering the Rocketman by Henry Naylor, Pleasance Dome ★★...

theartsdesk Q&A: filmmaker Dag Johan Haugerud on sex, lo...

"First love is always both terrible and wonderful at the same time", says the 60-year-Norwegian dramatist-novelist-director...