sun 22/06/2025

Katie Colombus

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Articles By Katie Colombus

The Patient Gloria, Brighton Festival review - an electric exploration of the control and manipulation of women

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Unchain Me, Brighton Festival review - Dostoevsky-inspired theatre through the streets of Brighton

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Album: Aldous Harding - Warm Chris

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Album: Jenny Hval - Classic Objects

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NDT2, Sadler's Wells review - a diverse triple bill

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Albums of the Year 2021: Dry Cleaning - New Long Leg

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Album: Adele - 30

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Laura Marling, Roundhouse review - simple and compelling

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Patti Smith, Royal Albert Hall review - a wild ride from a musical legend

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Ben Howard, Royal Festival Hall review - authentic and reassuring

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Album: Sufjan Stevens & Angelo De Augustine - A Beginner's Mind

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Rag‘n’Bone Man, Jazz Café review – powerful first post-lockdown gig

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Album: Zara Larsson - Poster Girl

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Album: Cerys Matthews, Hidden Orchestra & 10 Poets - We Come From The Sun

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Albums of the Year 2020: Laura Marling - Song for Our Daughter

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Album: Carrie Underwood - My Gift

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Music Reissues Weekly: The Sonics - High Time

“Theirs is truly rock in extremis, a précis of the youthful impetuosity and cathartic chaos at the heart of real rock ’n roll.”

This extract...

28 Years Later review - an unsentimental, undead education

The 23 years since 28 Days Later and especially those since Danny Boyle’s soulful encapsulation of Britain’s best spirit at the 2012...

RNCM International Diploma Artists, BBC Philharmonic, MediaC...

Two concerts in the BBC Philharmonic’s series in their own studio form the climax of studies at the Royal Northern College of Music for a small...

Prost, BBC 4 review - life and times of the driver they call...

With Brad Pitt’s much-trumpeted F1 movie about to screech noisily into the multiplexes, it’s not a bad time to be reminded of the career of one of...

Album: Yungblud - Idols

Yungblud has declared his fourth album, Idols, to be a “a project with no limitations”. This is quite a claim.

So, what musical...

Monteverdi Choir, English Baroque Soloists, Suzuki, St Marti...

In the Saxony of 1725 – still in the grip of Europe’s “Little Ice Age” – Bach and his musicians would seldom have had to deal with the sort of...

Patrick Wolf, Rough Trade East review - the Kent-based bard...

After the evening’s second song “The Last of England,” Patrick Wolf cautions “I’ve got nothing left to say.” During the shows leading up to this...

4.48 Psychosis, Royal Court review - powerful but déjà vu

Sarah Kane is the most celebrated new writer of the 1990s. Her work is provocative and innovative. So it seems oddly unimaginative to mark the...