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Katie Colombus

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Articles By Katie Colombus

Paloma Faith, Bedgebury Pinetum review - positive pop in a woodland setting

Monday, 18 June 2018 Read more...

CD: Christina Aguilera - Liberation

Wednesday, 13 June 2018 Read more...

The World Of Moominvalley, Brighton Festival review - a fascinating insight into the world of Tove Jansson

Monday, 21 May 2018 Read more...

Lemn Sissay, Brighton Festival review - a mesmerising sermon of performance poetry

Monday, 14 May 2018 Read more...

The Flying Lovers of Vitebsk, Brighton Festival review - a dynamic dedication to an artist's muse

Thursday, 10 May 2018 Read more...

Hofesh Shechter Company: Grand Finale, Brighton Festival review - politics, percussion and powerful choreography

Tuesday, 08 May 2018 Read more...

The Boy, The Piano and The Beach, Brighton Festival review - dubious dancing but perfect puppetry

Monday, 07 May 2018 Read more...

CD: Alexandra Burke - The Truth Is

Thursday, 15 March 2018 Read more...

CD: Belle & Sebastian - How To Solve Our Human Problems, Parts 1, 2 and 3

Saturday, 10 February 2018 Read more...

CD: First Aid Kit - Ruins

Tuesday, 16 January 2018 Read more...

Cirque du Soleil - OVO, Royal Albert Hall review - fantastical creatures, heart-in-mouth thrills

Thursday, 11 January 2018 Read more...

Albums of the Year 2017: Rising Appalachia - Alive

Monday, 18 December 2017 Read more...

CD: Björk - Utopia

Sunday, 26 November 2017 Read more...

The Lorax, Old Vic Theatre review - a sage tale for young theatre goers

Wednesday, 25 October 2017 Read more...

CD: Niall Horan - Flicker

Saturday, 21 October 2017 Read more...

Tom Petty and the Heartbreakers, Hyde Park review - electrifying American classics

Tuesday, 11 July 2017 Read more...

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'We are bowled over!' Thank you for your messages... ...
BBC Proms: Láng, Cser, Budapest Festival Orchestra, Ivan Fis...

“Some are born to sweet delight, some are born to endless night,” quoth Blake. Beethoven and Bartók knew both...

Album: Ethel Cain - Willoughby Tucker, I'll Always Love...

This is a weird one: I do try and stay on top of pop culture, but for several years, Ethel Cain completely passed me by. You’d think I would have...

Weilerstein, NYO2, Payare / Dueñas, Malofeev, Edinburgh Inte...

NYO2 is a group of dazzlingly talented (and terrifyingly young-looking) 14-17 year olds from the USA, one of Carnegie Hall’s three national youth...

Edinburgh Fringe 2025 reviews - Monstering the Rocketman by...

Monstering the Rocketman by Henry Naylor, Pleasance Dome ★★...

theartsdesk Q&A: filmmaker Dag Johan Haugerud on sex, lo...

"First love is always both terrible and wonderful at the same time", says the 60-year-Norwegian dramatist-novelist-director...

Oslo Stories Trilogy: Dreams review - love lessons

Rising temperatures, prickling skin, longing’s all-consuming ache: first love’s swooning symptoms overtake 17-year-old Johanne (Ella Øverbye) in...

Album: Black Honey - Soak

The default setting for Brighton indie quartet Black Honey...

Wilderness Festival 2025: Seriously delirious escapism

Wilderness is the kind of festival where you can overhear a conversation about the philosophical implications of rewilding whilst queuing...

Káťa Kabanová, Glyndebourne review - emotional concentration...

Even more perhaps than straight theatre, opera seems to draw attention to the meaning behind what may on the face of it appear a simple story....