mon 19/05/2025

New Music Reviews

Brighton Festival: Tindersticks, Brighton Dome

bella Todd

Tindersticks certainly know how to instill a mood. Outside the Dome Concert Hall the start of the Brighton Festival is in full swing, with a proliferation of tents, parades and shiny happy tourists drinking in the sun. Inside, Stuart Staples is singing “don’t let me suffer” in a wracked warble to a video of a lone woman floating naked in a distorted swimming pool.

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Reissue CDs Weekly: The Associates

Kieron Tyler

Any appreciation of Scotland’s The Associates is coloured by the knowledge that Billy MacKenzie took his own life at age 39 in January 1997. More than his band’s voice, he personified their unique approach to music. Between 1979 and 1982, with collaborator Alan Rankine, he created a string of vital records which defy genre pigeonholing and define their vehicle The Associates as one of Britain’s most wilful pop acts.

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Donovan, London Palladium

Adam Sweeting

"Sunshine came softly through my window today..." How fortuitous that veteran Scottish tunestrel Donovan should have picked London's glorious first day of summer to stage his "Beat Cafe" event at the Palladium. The plan was to rove across his back catalogue to celebrate his 70th birthday (which actually falls on Tuesday) as well as his half-century in the music business.

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Caetano Veloso and Gilberto Gil, Barbican

Peter Culshaw

In which two of the biggest beasts of Brazilian music played in tandem (and it was often playful) sparred with each other and revealed despite being rivals, how close they have been and remain.

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Chris Cornell / Fantastic Negrito, Royal Albert Hall

Matthew Wright

Bold programming always deserves credit. Last night’s Royal Albert Hall audience enjoyed an unusually piquant blend, as grunge-rocker turned soloist Chris Cornell on his Higher Truth album tour was paired with upstart bluesman Fantastic Negrito, known to his mum as Xavier Dphepaulezz, a spicier and more political performer who has invested the growling spirituality of old-time blues with an edge of punky protest.   

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theartsdesk in Denmark: Ambition and Attack in Aalborg and Aarhus

Kieron Tyler

Denmark is casting a shadow in a way it has not done before. The international success of Copenhagen’s Lukas Graham is unprecedented. While Aqua, The Ravonettes, Efterklang and Trentemøller are amongst the great Danes who have made international waves musically, Graham has trumped them all to become a surprise world-wide bestseller with the single “7 Years”.

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Reissue CDs Weekly: The Move, The Yardbirds

Kieron Tyler

The figures are approximate, but the Yardbirds’ first studio album has been issued on CD at least 12 separate times. With The Move, their debut album and its follow-up Shazam have each had a comparatively paltry eight outings on CD. As for vinyl editions, setting aside the UK originals in mono and stereo and contemporaneous worldwide pressings, similar quantities of reissues of the three albums have hit shops from the mid-Seventies onwards.

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theartsdesk on Vinyl: Volume 16 - Santana, Yeasayer and loads more

Thomas H Green

The recent Alien Day was a contrived event designed to sell as much tat related to the Alien film franchise as possible. However, it had one intriguing side effect. Seventy-five copies of the soundtrack to the second film, Aliens, appeared on liquid-filled vinyl, created by New York artist Curtis Godino. These strange artefacts are pictured above.

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The Fall, The Garage

Tim Cumming

It's the first night of The Fall's four-night residency at The Garage in Highbury, north London, a suitably small venue to get the full visceral rub of the current group – Elena Poulou on keyboards, guitarist Peter Greenaway, drummer Keiron Melling, and bassist Dave Spurr.

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Unamplifire Festival, The Master Shipwright's Palace, Deptford

Tim Cumming

Set in the grounds and rooms of the Master Shipwright’s Palace on the Thames at Deptford, Unamplifire brought together more than 30 artists over eight hours, with new and ancient folk and world music stirring from the riverside wing of the building – a stripped-to-the-plaster-and-floorboards palace, one you might find yourself in after a revolution.

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