sat 23/08/2025

New Music Reviews

Tubular Brass play Tubular Bells, Howard Assembly Room, Leeds

graham Rickson

Sandy Smith’s brass band transcription of Tubular Bells is an improbable triumph. He draws heavily on composer David Bedford’s 1970s orchestral arrangement, along with Mike Oldfield’s two recorded versions. Musically the work holds up very well. But the original 1973 LP sounds distinctly murky in places: this was a live performance in which every strand was audible.

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Reissue CDs Weekly: John Foxx

Kieron Tyler

In 1985, John Foxx released In Mysterious Ways: his fourth solo album since leaving Ultravox in 1979. In 1980, he had charted with “Underpass”, his first solo single. Subsequently, he charted a path where frosty, anomie-filled electropop gave way to the warmth of “Europe After the Rain” and the Beatles-inspired psychedelia of “Endlessly”. The 1983 album The Golden Section was his most straightforwardly poppy to date.

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David Gilmour, Royal Albert Hall

Russ Coffey

A single guitar note rang out over smouldering synth-chords. It was bent up a tone and then wavered in the air before gracefully falling. And so began the final residency of the Rattle That Lock tour. No hype. No support act. Just David Gilmour and his all-star band looking back on his long and prestigious career. At least that's how the programme described it.

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Reissue CDs Weekly: Chess Records Soul, Little Richard

Kieron Tyler

Chicago’s Chess Records first made waves in the Fifties with a raft of records which included future classics integral to defining the urban slant on blues music. Early in the decade, the label issued singles by John Lee Hooker, Memphis Slim, Muddy Waters and Howlin' Wolf. They also issued Jackie Brenston’s “Rocket 88”, one of the building blocks of rock ‘n’ roll and brought Bo Diddley to a wide audience.

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Sinne Eeg / Cathrine Legardh, Pizza Express Jazz Club

Matthew Wright

It’s fair to say that vocal jazz ranks modestly in British awareness of Danish culture, certainly below the instrumental music and the phenomenon of the moment, the cable-knit-sporting detective Sarah Lund. Which is a shame, because this second event in Pizza Express’ week-long festival illustrated the variety and strength of that country’s scene very effectively.

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Modulus Quartet, Brunel Museum, Rotherhithe

David Nice

"Total immersion", the term used for the BBC Symphony's one-composer days, takes on a whole new meaning in the Thames Tunnel Shaft now transformed – but fortunately not subject to makeover – under the mantle of Rotherhithe's Brunel Museum.

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Reissue CDs Weekly: Tamam Shud

Kieron Tyler

In 1969, the Australian band Tamam Shud improvised as a film  was projected onto the wall of a recording studio. The results were heard on the Evolution album. Playing original music live to accompany a film screening isn’t commonplace these days but eyebrows are no longer raised when it happens. Pere Ubu have played along with Carnival of Souls and It Came From Outer Space. Mogwai have done the same for the documentary Atomic.

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Barenaked Ladies, Roundhouse

Markie Robson-Scott

Lead singer and frontman Ed Robertson launches into a BNL-in-London rap, extolling the Roundhouse, “where they used to turn trains”, as well as the glories of Camden Market’s liquid-nitrogen ice-cream bar.

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The Beatles: Eight Days a Week - The Touring Years

james Woodall

It could be a book, film, TV or radio piece, essay or exhibition. If it’s about or based on The Beatles, the question is always the same: how on earth can anything new be said? In the case of Ron Howard’s Eight Days a Week: The Touring Years, surprisingly quite a lot, is the answer.

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Reissue CDs Weekly: The Beach Boys

Kieron Tyler

The Beach Boys signed with Capitol Records on 24 May 1962. Early the next month, their first single for the label became “409”/”Surfin’ Safari”. It was not their debut release. The “Surfin'”/ “Luau” single had been issued in November 1961 by Candix.

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