sun 18/05/2025

New Music Reviews

Reissue CDs Weekly: Hauschka

Kieron Tyler

Turn the clock back to early 2007. It’s not so long ago, but at this point Nils Frahm had issued just one album, Ólafur Arnalds was about to release his first, Jóhann Jóhannsson was one year into what would be two-album relationship with 4AD, and Max Richter had made two albums for 130701, the British offshoot of FatCat Records. Christian Wallumrød was performing solo, but still recording collaboratively.

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CD: Rodion – Generator

Barney Harsent

Before the resurgence in vinyl, and the resultant pursuit of audiophile perfection on pointlessly expensive sound systems, was the musician’s fetish for vintage equipment and analogue synths. Live, this makes sense: sounds go direct into the audience's ear, air its only conduit.

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Exhibitionism, Saatchi Gallery

Tim Cumming

The Stones may have got the free festival thing right at last, returning triumphant from playing to around a million Cubans in Havana on Good Friday, and the world generally marvels more and mocks less the longevity of the band and the age of its original inhabitants. With a fresh batch of sold-out tours and new music apparently in the can, it would be churlish to deny them the self-pleasuring they reward themselves by mounting Exhibitionism at the Saatchi Gallery.

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Gregory Porter, Royal Albert Hall

Matthew Wright

Gregory Porter’s singing pedigree is impeccable. With a performing history in the American Church of God in Christ, where his mother was a minister, honed by several years before his breakthrough living in hipster-jazz heaven Brooklyn, and performing Off-Broadway, he’s in many ways the ultimate heritage act.

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Reissue CDs Weekly: Fela Ransome-Kuti and His Koola Lobitos

Kieron Tyler

Is greatness there from day one, does it evolve or suddenly strike? Do artists – in any discipline – develop in steps or arrive fully-formed? How does the quotidian become exceptional? With the new triple-CD set Highlife-Jazz and Afro-Soul (1963-1969), the man who would be dubbed the Black President has what amounts to 39 musical baby pictures made easily available for the first time.

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Reissue CDs Weekly: James Chance aka James White

Kieron Tyler

According to the May 1979 issue of the New York art-paper East Village Eye, James White “is treated [everywhere] with awe and the special consideration lacking in most people's lives.” The adoration was boundless. White is “the star, the proof of the divinity that can be had by those who strive for a life beyond the schemes of men, James White is not an animal creature, James White is one of the breed called God in older times.”

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Clint Mansell, Royal Festival Hall

Andrew Cartmel

Although this evening began with an introduction by film director Ben Wheatley (responsible for Clint Mansell’s latest soundtrack commission, High-Rise), Mansell’s most frequent collaborator has been Darren Aronofsky. Among the movies they’ve fashioned together is 2014’s Noah, the music from which provided tonight’s opening salvo.

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theartsdesk on Vinyl: Volume 15 - Saxon, Bernard Herrmann and much more

Thomas H Green

Vinyl now accounts for almost 6% of the money made from music distribution, more than is accrued through free ad-backed streaming services. In the US last year vinyl sales rose to $416 million. Clearly these sort of figures are no threat to the likes of Spotify but then, there is no need for them to be. The fact is that vinyl is re-established as a boutique format and, culturally, its desirability is reaching a peak. Dismiss this as trendiness at your peril.

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Laura Mvula, Islington Assembly Hall

Matthew Wright

Three years ago Laura Mvula captured both hearts and minds with her intriguing and seductive debut album, Sing to the Moon. Last night she began again the nerve-wracking process of revealing new music, in this case her second album, The Dreaming Room, to be released in the summer.

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Reissue CDs Weekly: The Kinks

Kieron Tyler

Although The Kinks’ world was turned upside down from the moment “You Really Got Me” hit the charts in August 1964, the band’s main songwriter Ray Davies still had songs to spare. Some of his compositions ended up with singers like Dave Berry, Leapy Lee and Mo & Steve. Ray’s brother Dave even found that one of his songs was recorded by Shel Naylor. This extra-mural world fascinates Kinks fans.

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