New Music Reviews
Claire Martin and Joe Stilgoe, St James TheatreMonday, 22 February 2016
With Peter Andre butchering Frank Sinatra on the one hand ("Reality TV swing", as Ray Gelato aptly put it) and Annie Lennox massacring Billie Holiday on the other, it was heart-warming to hear two artists performing standards and originals with such care, insight and sensitivity. Read more... |
Reissue CDs Weekly: Lizzy Mercier DesclouxSunday, 21 February 2016
Lizzy Mercier Descloux was an early adopter. In 1975, she travelled from her Paris home to Manhattan and saw The Ramones, Patti Smith, Television and the Richard Hell-edition Heartbreakers. Although the first issue of the New York fanzine Punk came out at the end of the year, punk rock was not yet quite codified. Nonetheless, there was a scene and something new was in the air. Read more... |
Wayne Shorter and Wynton Marsalis with the Jazz at Lincoln Center Orchestra, BarbicanFriday, 19 February 2016
Wayne Shorter and the Jazz at Lincoln Center Orchestra – that sounds like a dream pairing. Shorter, now 82, is one of the true greats, a saxophonist and composer with an enchanting and unpredictable approach that makes him instantly recognisable. He had a defining influence on Miles Davis’ Second Great Quintet and on Weather Report and, for many, his current quartet represent the pinnacle of modern small group performance. Read more... |
Ennio Morricone, O2 ArenaWednesday, 17 February 2016
In its former life as the Millennium Dome, the O2 housed a diamond collection which attracted one of Britain’s most spectacular heists. Last night featured something considerably more valuable – the composer Ennio Morricone on tour, celebrating 60 years of music, accompanied by the magisterial forces of the Czech National Symphony Orchestra, the Kodály Choir from Hungary and the Csokonai National Theatre Choir. Read more... |
Reissue CDs Weekly: The Paris SistersSunday, 14 February 2016
The Paris Sisters were a look and a sound. Slightly different but still peas in a pod, Albeth, Priscilla and Sherrell Paris united to make often moodily minor-key music always suggestive of angels stamping their feet. Otherwordly. Yet hard-edged. The defining vocalist was Priscilla, whose slightly husky, ever-intimate mid-tone evoked the wind whispering its secrets. Read more... |
Reissue CDs Weekly: The Long RydersSunday, 07 February 2016
For its 6 April 1985 issue, the NME chose The Long Ryders as its cover stars. The colour picture of the band was emblazoned “A Shotgun Wedding of Country and Punk.” The Los Angeles outfit attracted attention as part of a wave of California bands overtly drawing from the past. Local peers included The Bangles, The Dream Syndicate and The Three O’Clock. Read more... |
Reissue CDs Weekly: African Head ChargeSunday, 31 January 2016
Of all the idiosyncratic artists coming through the door opened by punk, Adrian Sherwood remains one of the most singular. Reggae had been given a new platform and Sherwood, though he has never done anything remotely musically akin to punk rock, comfortably found a place alongside boundary-crossing post-punk individualists like The Pop Group and Public Image Ltd. The former’s Mark Stewart and the latter’s Jah Wobble went on to record with Sherwood’s On-U Sound label. Read more... |
Reissue CDs Weekly: Harpers BizarreSunday, 24 January 2016
While Harpers Bizarre’s US Top 20 version of Simon & Garfunkel’s “The 59th Street Bridge Song (Feelin' Groovy)” will always be their single turned to by American oldies radio, its follow-up “Come to the Sunshine” defines their sound and musical attitude. Written and previously recorded by Van Dyke Parks, it captures an irresistibly effervescent Californian harmony pop which painted a sonic picture of the West Coast in 1967 as balmy, beautiful and seductive. Read more... |
theartsdesk on Vinyl: Volume 13 - Kurt Cobain, Wolfgang Flür and moreSaturday, 23 January 2016
Welcome to the first theartsdesk on Vinyl of 2016. Last year saw vinyl go from a surprisingly successful retro underdog format to a profitable investment for major labels, notably Universal. This resulted in much grouching about bottlenecks of new indie material that couldn’t get onto vinyl because of pressing plants being hogged by endless cheapo repackages of old Queen albums and the like. 2016, however, should see the manufacturing end leap forward to meet the demand. Read more... |
Tony Allen and Jimi Tenor, Café OTOSaturday, 23 January 2016
Questions of what is authentic and what is retro get more complicated the more the information economy matures. Music from decades past that only tens or hundreds of people heard at the time it was made becomes readily available, gets sampled by new musicians, and passes into the current vernacular. Modern musicians play archaic styles day in day out until it becomes so worn into their musculature that it reflects their natural way of being. Read more... |
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