sat 23/08/2025

New Music Reviews

Billy Bragg & Joe Henry, St Georges Church, Brighton

Thomas H Green

The day after Trump won the US presidential election was always going to be an interesting day for a concert by Billy Bragg and his American cohort Joe Henry.

Read more...

Psychic TV, Brixton Jamm

Tim Cumming

The last time Genesis Breyer P Orridge was in the UK, it was to touch down and talk about life, art, magic and strange encounters as part of COUM, Throbbing Gristle, Psychic TV and PTV3 at the October Gallery's William Burroughs centenary show back in 2015.

Read more...

Supersonic Festival Launch Party, Centrala, Birmingham

Guy Oddy

Regular subscribers to the Arts Desk may have noticed a certain view from some of our number that the Glastonbury Festival is the annual musical and social high point of the year in the UK. On this subject, I would beg to differ and instead claim Birmingham’s wilfully uncommercial celebration of the weird and the wonderful, the Supersonic Festival, to be my most eagerly awaited annual sonic celebration.

Read more...

Reissue CDs Weekly: Roy Harper

Kieron Tyler

Man & Myth, released in September 2013, was Roy Harper’s best album in two decades. The live shows which came on its back were stunning. Amongst this activity – instead of building on the momentum – he was arrested and charged with historic sexual abuse. Police had contacted him about allegations in February 2013. Following an innocent verdict, all other charges were dropped in November 2015.

Read more...

CD: Cliff Richard - Just... Fabulous Rock 'n' Roll

Liz Thomson

It’s 58 years since “Britain’s answer to Elvis Presley” had his first top 10 hit and now he’s back, and back to his roots, with a new CD, Just… Fabulous Rock ‘n’ Roll, released by Sony with whom, at the grand old age of 76, he has signed a lucrative new contract. And don’t mock. It’s a terrific album: 15 classic songs including a “duet” with Elvis Presley, without whom.

Read more...

Neil Cowley Trio, Union Chapel

Matthew Wright

For more than a decade, Neil Cowley and his trio have built a fervent and substantial following for their prog-jazz compositions of frenetic loops and engaging melodies. With a jazz trio’s organic movement and intimacy allied to a rocker’s bolder rhythm and melody, and touches of contemporary classical piano, his band occupies an important, and underrepresented, space in the repertoire.

Read more...

Reissue CDs Weekly: The Undertones

Kieron Tyler

Although the reformed Undertones, with Paul McLoone replacing original singer Feargal Sharkey, have been a popular live draw since 1999, John Peel’s anointing of “Teenage Kicks” from their debut EP as his favourite recording suggests this is what they were about: a single, timeless song.

Read more...

Loudon Wainwright III, London Palladium

Jasper Rees

Loudon Wainwright III, a going concern as a singer-songwriter since the start of the Seventies, has long since been occluded by the commercial success of his brood, Martha and Rufus. Their old man is still enough of a draw to pack out the Palladium with just a guitar, a banjo and a back catalogue of cranky songs only he could have composed.

Read more...

CD: Half Man Half Biscuit - And Some Fell On Stony Ground

Matthew Wright

Fans of the Birkenhead post-punk humorists are a patient crowd. It’s been two years since the last album (they haven’t been more frequent since the 1990s) and now followers are rewarded not with new music, but, as the title allusively suggests, a collection of B-sides and EPs that are in some cases hard to find elsewhere. Stony ground indeed.

Read more...

Reissue CDs Weekly: Tim Buckley

Kieron Tyler

The period between the October 1966 release of his eponymous debut album and its follow-up, August 1967’s baroque masterpiece Goodbye and Hello, saw Tim Buckley and his label Elektra reconsider how best to help him generate an impact. No matter how strong its songs and how unique his voice, the folk-rock styled Tim Buckley hadn’t been a big seller. Label boss Jac Holzman thought a non-album single would be good marketing tool, paving the way for a second album.

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

'We are bowled over!' Thank you for your messages... ...
Album: Blood Orange - Essex Honey

The more time goes by, the more it seems like Dev Hynes might be the antidote to what Guy Debord called “the society of the spectacle”. As is...

Faustus in Africa!, Edinburgh International Festival 2025 re...

What new light can the age-old legend of Faust selling his soul to the devil shed on colonialism in Africa, slavery, the rape and destruction of...

Houghton / We Out Here festivals review - an ultra-marathon...

The long, hot summer of 2025 has been something else, right? Hate rallies, creeping authoritarianism, a weird reluctance to discuss the extremity...

Sorry, Baby review - the healing power of friendship in the...

“I have a baby in me,” says Lydie (Naomi Ackie; Mickey 17). “What? Right now?” says her friend Agnes (Eva Victor), who may not be...

Album: Wolf Alice - Clearing

Wolf Alice are a band who consistently over-deliver. Their presentation is so staid, their cited influences so safe (The Beatles! Blur!), their...

BBC Proms: Liu, Philharmonia, Rouvali review - fine-tuned Tc...

Pianist Bruce Liu wasn’t the only star soloist last night, though he certainly had the most notes to play. Attention was riveted by at least five...

Edinburgh Fringe 2025 reviews: Imprints / Courier

Imprints, Summerhall ...

Album: Deftones - Private Music

Deftones’ Private Music arrives as the band’s long-awaited tenth studio album, carrying with it the weight of expectation built from...