mon 19/05/2025

New Music Reviews

CD: Half Man Half Biscuit - And Some Fell On Stony Ground

Matthew Wright

Fans of the Birkenhead post-punk humorists are a patient crowd. It’s been two years since the last album (they haven’t been more frequent since the 1990s) and now followers are rewarded not with new music, but, as the title allusively suggests, a collection of B-sides and EPs that are in some cases hard to find elsewhere. Stony ground indeed.

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Reissue CDs Weekly: Tim Buckley

Kieron Tyler

The period between the October 1966 release of his eponymous debut album and its follow-up, August 1967’s baroque masterpiece Goodbye and Hello, saw Tim Buckley and his label Elektra reconsider how best to help him generate an impact. No matter how strong its songs and how unique his voice, the folk-rock styled Tim Buckley hadn’t been a big seller. Label boss Jac Holzman thought a non-album single would be good marketing tool, paving the way for a second album.

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Icebreaker and BJ Cole, Milton Court

Helen Wallace

Call it re-analogification, de-digitisation or perhaps just plain reverse-engineering, Icebreaker’s set at Milton Court was all about reclaiming the electronic for hoary-handed instrumentalists. Their skills are well-honed: from Anna Meredith to Steve Martland to Kraftwerk, with an inspired side-order of Scott Walker, they conjured propulsive rhythmic lines and saturated layers of harmony from inauspicious sources – pan-pipes, soprano sax, a single cello, bass drum.

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On the road with Bob Dylan: the mother of all rockumentaries

mark Kidel

Dont Look Back is the Ur-rockumentary, the template for hundreds of hand-held rock tour films, a source of inspiration as well as a model to aspire to.

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theartsdesk on Vinyl: Volume 21 - Sex Pistols, J Dilla, Uriah Heep, Hendrix and more

Thomas H Green

Autumn arrives and theartsdesk on Vinyl is ready at the turntables with a vital selection to kick out the drizzle and seasonal blues. Now in a more toned, slimmed down form, we offer 30 reviews that pinpoint the very best new vinyl available, regardless of genre. Lovers of music, from gentle jazz to detonating death metal will find something worth trying.

Various DJ Amir Presents Buena Musica Y Cultura (BBE)

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Reissue CDs Weekly: The Shaggs

Kieron Tyler

“The Shaggs are real, pure, unaffected by outside influences. Their music is different, it is theirs alone.” So began the liner notes to Philosophy of the World, The Shaggs' sole album. Not many people read the words or heard the music when it was pressed in 1969. Only 100 copies were made. It was meant to be 1000, but a murky business deal meant the balance of 900 never showed up.

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The Passion of Joan of Arc, Wells Cathedral

mark Kidel

Wells Cathedral, masterpiece of Gothic architecture, is distinguished by relatively intimate scale: a perfect place to present Carl Dreyer’s 1928 classic and visually arresting account of the trial and burning of Joan of Arc. The screen was hung in front of the massive “St Andrew’s Cross”, the almost modernist bracing arches – a backdrop of immense presence that complemented the compellingly architectural look of the film.

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Jean-Michel Jarre, Brighton Centre

Thomas H Green

If this review had a subtitle, it would be “Rave in the Mausoleum”. Jean-Michel Jarre threw everything he had at the crowd – state of the art lightshow, earthquake-level bass, eardrum-shattering decibels, remixed greatest hits, thumping kick-drums, retina-frazzling lazers and more – but the audience remained politely, firmly seated.

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Songlines Music Awards, Barbican

Tim Cumming

Four headliners, one bill – Sam Lee, Debashish Bhattacharya, Songhoy Blues and Mariza: it was an impressive line-up at the Barbican for a Monday as the world and folk music magazine Songlines hosts its annual awards bash. Now, these are readers’ awards, with nary an expert in sight when it comes to choosing the winners.

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Oasis in Their Own Words, BBC iPlayer

Bernadette McNulty

Trying to pip the release of Mat Whitecross’s documentary Supersonic to the post, this brief hack through the BBC’s archive throws together a galloping overview of Oasis’s rise and fall, narrated by their own interviews and quotes. Arguably Oasis built a career on the consistent entertainment value of their soundbites rather than the long-term quality of their songs, so this wasn’t exactly a hard search, nor does it throw up anything you hadn’t heard before.

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