sun 04/05/2025

Bernard Hughes

Bernard Hughes's picture
Bio
Bernard Hughes is a composer and writer, based in London.

Articles By Bernard Hughes

Donohoe, RPO, Brabbins, Cadogan Hall review - rarely heard British piano concerto

Read more...

London Choral Sinfonia, Waldron, Smith Square Hall review - contemporary choral classics alongside an ambitious premiere

Read more...

Ridout, 12 Ensemble, Wigmore Hall review - brilliant Britten and bombastic Brahms

Read more...

Jessica Duchen: Myra Hess - National Treasure review - well-told life of a pioneering musician

Read more...

RAM Song Circle, Wigmore Hall review - excellent young musicians lift the spirits

Read more...

Album: Ben Folds - Sleigher

Read more...

Christmas with Connaught Brass, Milton Court review - delightful seasonal fare from Bach to Boulanger

Read more...

Mailley-Smith, Piccadilly Sinfonietta, St Mary-le-Strand review - music in a resurgent venue

Read more...

Jonathan Coe: The Proof of My Innocence review - a whodunnit with a difference

Read more...

The Orchestral Forest, Smith Square Hall review - living the orchestra from the inside

Read more...

Kaleidoscope Chamber Collective, Wigmore Hall review - warm and colourful Bartók and Brahms

Read more...

Blond Eckbert, English Touring Opera review - dark deeds afoot in the woods

Read more...

Angela Hewitt, Wigmore Hall review - Scarlatti miniatures outshine Brahms behemoth

Read more...

theartsdesk Q&A: conductor Dalia Stasevska on her new album of contemporary orchestral music

Read more...

Prom 44, Shani, Rotterdam Philharmonic review - impressive multi-tasking by conductor-pianist

Read more...

Prom 36, McGill, BBCSSO, New review - summery Shakespearean mummery

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Fake, ITV1 review - be careful what you wish for

The art of the conman is persuading their victim to fool themselves, which is the premise that lies at the core of this Australian drama series....

theartsdesk Q&A: film director Déa Kulumbegashvili on he...

One of the most exciting new voices in Eastern European film, Déa Kulumbegashvili is not concerned with conventional shot lengths. She has been...

Music Reissues Weekly: John McKay - Sixes and Sevens

Sixes and Sevens is a surprise. A big one. Since leaving Siouxsie and the Banshees in September 1979, John McKay has...

Pimpinone, Royal Opera in the Linbury Theatre review - farce...

Full marks to the Royal Opera for good planning: one first night knocking us all sideways with the darkest German operatic tragedy followed by...

Krapp's Last Tape, Barbican review - playing with the l...

In the Stygian darkness of a bare room, a table on a low platform with a light hanging overhead starts to emerge. Then a door briefly...

Formula E: Driver, Prime Video review - inside the world...

The success of Netflix’s Drive to Survive not only provoked a viewer-stampede towards the world’s most expensive sport, but also...

Die Walküre, Royal Opera review - total music drama

Wagner’s universe, in the second of his Ring operas which brings semi-humans on board to challenge the gods, matches exaltation and misery, terror...