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Bernard Hughes

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Bio
Bernard Hughes is a composer and writer, based in London.

Articles By Bernard Hughes

theartsdesk Q&A: conductor Dalia Stasevska on her new album of contemporary orchestral music

Saturday, 31 August 2024 Read more...

Prom 44, Shani, Rotterdam Philharmonic review - impressive multi-tasking by conductor-pianist

Saturday, 24 August 2024 Read more...

Prom 36, McGill, BBCSSO, New review - summery Shakespearean mummery

Saturday, 17 August 2024 Read more...

Prom 32, Gillam, BBCNOW, Venditti review - belated debuts and a dancing delight

Tuesday, 13 August 2024 Read more...

Prom 26, Feldmann, BBC Philharmonic, Bihlmaier review - two warhorses and a femmage

Friday, 09 August 2024 Read more...

NMC Recordings at 35, Dutch Church, London review - a fitting celebration

Thursday, 04 July 2024 Read more...

Goldscheider, Royal Orchestral Society, Miller, SJSS review - fine horn playing from the very best

Monday, 17 June 2024 Read more...

Hugo Rifkind: Rabbits review - 31 wild parties and a funeral

Monday, 10 June 2024 Read more...

St Martin's Voices, Earis, St Martin-in-the-Fields review - music from the beginning

Wednesday, 29 May 2024 Read more...

Sphinx Organization, Wigmore Hall review - black performers and composers take centre stage

Monday, 27 May 2024 Read more...

Kolesnikov, Wigmore Hall review - celestial navigation through a cabinet of wonders

Thursday, 23 May 2024 Read more...

Dunedin Consort, Mulroy, Wigmore Hall review - songs of love old and new

Thursday, 16 May 2024 Read more...

Jonn Elledge: A History of the World in 47 Borders review - a view from the boundaries

Tuesday, 23 April 2024 Read more...

Dorian Lynskey: Everything Must Go review - it's the end of the world as we know it

Wednesday, 10 April 2024 Read more...

Elmore String Quartet, Kings Place review - impressive playing from an emerging group

Tuesday, 09 April 2024 Read more...

St Matthew Passion, Academy of Ancient Music, Cummings, Barbican review - moving and humble

Saturday, 30 March 2024 Read more...

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'We are bowled over!' Thank you for your messages... ...
Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

Ithell Colquhoun, Tate Britain review - revelations of a wei...

Tate Britain is currently offering two exhibitions...

Sarah Silverman, Netflix Special review - finding the funny...

Death can be a powerful driver for comedy...

Blu-ray: Darling

A look at Darling on its 60th anniversary offers a sobering reality check on the "...