sun 04/05/2025

Bernard Hughes

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Bio
Bernard Hughes is a composer and writer, based in London.

Articles By Bernard Hughes

theartsdesk at the Voces8 Summer School - musical oasis offers opportunities for all

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Prom 17: CBSO, CBSO Chorus, Yamada review - Carmina Burana presses all the right buttons

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Fiona Maddocks: Goodbye Russia - Rachmaninoff in Exile review - an affectionate biographical portrait

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Hahn, Kaleidoscope Chamber Collective, Wigmore Hall review - Americana old and new

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Estonian National Male Voice Choir, Üleoja, Kings Place review - full-throated Baltic choral music

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Bercken, Britten Sinfonia, Milton Court review - beleaguered ensemble shows its value

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Gagarin Quartets, Modulus String Quartet, Brunel Museum review - a multimedia journey into space

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National Youth Choir, Royal Albert Hall review – a spectacular jubilee

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Facade Ensemble, Collins Rice, St Margaret Pattens Church review - meditation and reflection

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Things to Come, LSO, Strobel, Barbican review - blissful visions of the future

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Nonclassical: The Greenhouse Effect, Barbican Conservatory review - enjoyable freestyle happening

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LPO, Adès, RFH review - tempests and infernos

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Benjamin, Jaya-Ratnam, Harper, Milton Court review - black musicians take centre stage

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Belcea Quartet, Wigmore Hall review - a riveting new string quartet

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A Child in Striped Pyjamas, The Cockpit review - a brave tackling of a Holocaust story

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Chasing the Night, Echo Vocal Ensemble and Friends, Latto, Kings Place review - midwinter songs from around the world

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Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Fake, ITV1 review - be careful what you wish for

The art of the conman is persuading their victim to fool themselves, which is the premise that lies at the core of this Australian drama series....

theartsdesk Q&A: film director Déa Kulumbegashvili on he...

One of the most exciting new voices in Eastern European film, Déa Kulumbegashvili is not concerned with conventional shot lengths. She has been...

Music Reissues Weekly: John McKay - Sixes and Sevens

Sixes and Sevens is a surprise. A big one. Since leaving Siouxsie and the Banshees in September 1979, John McKay has...

Pimpinone, Royal Opera in the Linbury Theatre review - farce...

Full marks to the Royal Opera for good planning: one first night knocking us all sideways with the darkest German operatic tragedy followed by...

Krapp's Last Tape, Barbican review - playing with the l...

In the Stygian darkness of a bare room, a table on a low platform with a light hanging overhead starts to emerge. Then a door briefly...

Formula E: Driver, Prime Video review - inside the world...

The success of Netflix’s Drive to Survive not only provoked a viewer-stampede towards the world’s most expensive sport, but also...

Die Walküre, Royal Opera review - total music drama

Wagner’s universe, in the second of his Ring operas which brings semi-humans on board to challenge the gods, matches exaltation and misery, terror...