Theatre Reviews
The Winter's Tale, RSC, BBC Four review - post-war poise colours a solid productionMonday, 26 April 2021
It has been a hard coming for this RSC Winter’s Tale. Erica Whyman’s production was cancelled by the virus days before its premiere last spring, with plans to stage it in the autumn frustrated by the second lockdown. Read more... |
The Importance of Being Earnest online review - Oscar Wilde updated for the Nando's generationWednesday, 21 April 2021
Oscar Wilde's fabulous play satirised Victorian England and contained a shedload of quotable quips. Read more... |
A Splinter of Ice, Original Theatre Company online review - Graham Greene and Kim Philby are friends reunitedMonday, 19 April 2021
There’s such a genial feel to the pairing of Oliver Ford Davies and Stephen Boxer in Ben Brown’s new play that there are moments when we almost forget the weighty historical circumstances that lay behind the long-awaited encounter between two old friends, this evening of conversation and drinking,... Read more... |
Romeo and Juliet, National Theatre online review - a triumphant hybridMonday, 05 April 2021
Shakespeare's enduring tale of star-crossed lovers is especially pertinent in a pandemic. The fatal plot twist depends on failed communication during an outbreak of pestilence, and one of the most famous lines is Mercutio's heartfelt, "A plague on both your houses" – clearly no idle curse. Read more... |
Living Newspaper, Edition 3, Royal Court online review – bleak news, sharp wordsSaturday, 03 April 2021
“The crocus of hope is, er, poking through the frost.” When he uttered that dodgy metaphor back in February, Boris Johnson probably didn’t predict that it would become the opening number of the third edition of Living Newspaper, the Royal Court’s anarchic, hyper-current series of new writing.... Read more... |
A Midsummer Night's Dream, SHAKE Festival livestream review - a star turn from Luisa Omielan makes this 'Bottom's Dream'Thursday, 01 April 2021
Just what the Zoom era has brought to theatre – to performers and audiences alike – is something we will no doubt be pondering for some while yet, certainly still in the much-anticipated eventual hereafter when stages in their “traditional” multifariousness are once again standard. Read more... |
Angela, Sound Stage online review - tender and time-shiftingFriday, 26 March 2021
Does a subjective theatre piece encourage a subjective critical response? I think it might, especially when it’s a memory play about dementia, so here goes: first I turn off the lights, then I press play. From the darkness comes jaunty music – it’s a dance class. Read more... |
Assembly, Donmar Warehouse online review - the future is coming, ready or notWednesday, 24 March 2021
“Your task is to imagine the future.” That’s what the citizens of Assembly, a new streamed production performed and devised by the Donmar Warehouse’s Local Company, are told. Read more... |
The Picture of Dorian Gray, Barn Theatre online review - a dazzling adaptationTuesday, 23 March 2021
Let’s face it, most adaptations of classic novels are disappointingly pedestrian. They are so middle-of-the-road – fancy-dress characters speaking fancy-dress dialogue in fancy-dress plots. Read more... |
The Band Plays On, Sheffield Theatres online review – to Sheffield with loveThursday, 18 March 2021
All theatre is local — if you can’t get to where a show is playing you can’t see it. That is, until a pandemic closes all theatres and forces their shows to go online. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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