Theatre Reviews
A Midsummer Night's Dream, Bridge Theatre review - Nick Hytner's hit gender-bender returns refreshedTuesday, 10 June 2025
It’s a sign of the inroads that the term “immersive” has made in theatreland that it now gets jokily namedropped at the Bridge inside Shakespeare’s actual text, when Duke Theseus tells his new bride Hippolyta not to flinch when the Rude Mechanical playing Moon shines a bright light in her eyes: “It’s immersive.” Read more... |
Miss Myrtle’s Garden, Bush Theatre review - flowering talent, but needs weedingSunday, 08 June 2025
The Bush Theatre is becoming a garden centre. Earlier this year, the venue staged Coral Wylie’s Lavender, Hyacinth, Violet, Yew, which featured an abundance of plant life, and now it’s the turn of talented novelist and screenwriter Danny James King, whose Miss Myrtle’s Garden has Wylie aptly listed as its botanical consultant. Read more... |
Fiddler on the Roof, Barbican review - lean, muscular delivery ensures that every emotion rings trueWednesday, 04 June 2025
It’s always a risk when a production changes venue. In the curious alchemy of live performance, no-one can be sure whether a shift in surroundings might rob a show of the glitter and allure it once had. Read more... |
In Praise of Love, Orange Tree Theatre review - subdued production of Rattigan's study of loving concealmentWednesday, 04 June 2025
Terence Rattigan's rehabilitation – some might almost say deification – as a leading 20th century playwright is complete. As well as academic studies, biographies and numerous highly respected revivals of his work, there is a growing clamour to accord him the ultimate, deserved, honour: a theatre bearing his name. Read more... |
Letters from Max, Hampstead Theatre review - inventively staged tale of two friends fighting loss with poetryTuesday, 03 June 2025
In 2012, the award-winning American writer Sarah Ruhl met a Yale playwriting student who became a special part of her life. Out of their friendship she created Letters from Max, a 2018 book of their correspondence, then a play performed in New York in 2023. Read more... |
Elephant, Menier Chocolate Factory review - subtle, humorous exploration of racial identity and musicSaturday, 31 May 2025
This charmingly eloquent semi-autobiographical show – which first played at the Bush Theatre in 2022 – tells the story of a girl whose life growing up in a council flat is transformed by the arrival of an upright piano. Lylah – like the show’s creator, Anoushka Lucas – is the daughter of an Anglo-Indian father and a French Cameroonian mother, and her subtle, often humorous, exploration of her racial identity becomes intertwined with who she is as a musician. Read more... |
This is My Family, Southwark Playhouse - London debut of 2013 Sheffield hit is feeling its ageFriday, 30 May 2025
MOR. Twee. Unashamedly crowdpleasing. Are such descriptors indicative of a tedious night in the stalls? For your reviewer, who has become jaded very quickly with a myriad of searing examinations of mental health crises and wake up calls about the forthcoming environmental collapse, I often find comfort in material more suited to the large print section of the library. Read more... |
The Frogs, Southwark Playhouse review - great songs save updated Aristophanes comedyWednesday, 28 May 2025
As a regular theatregoer, you learn pretty quickly that there’s no story too bizarre to work as a musical. Cannibalistic murders in Victorian London? Faking a miracle in smalltown USA? The westernisation of Japan? And that’s just Sondheim… Read more... |
Mrs Warren's Profession, Garrick Theatre review - mother-daughter showdown keeps it in the familySaturday, 24 May 2025
How do you make Bernard Shaw sear the stage anew? You can trim the text, as the director Dominic Cooke has, bringing this prolix writer's 1893 play in under the two-hour mark, no interval. And you can introduce a non-speaking ensemble of women in period bloomers and the like as a silent commentary on the depredations indicated in the text. Read more... |
The Crucible, Shakespeare's Globe review - stirring account of paranoia and prejudiceThursday, 22 May 2025
A society ruled by hysteria. Lurid lies that carry more currency than reality. There’s no shortage of reasons that Arthur Miller’s 1953 drama about witchcraft and revenge resonates so strongly today. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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