Theatre Reviews
Middlemarch: Dorothea's Story, Orange Tree TheatreSaturday, 26 October 2013
Adapt a Jane Austen novel for the stage and you have a generous handful of characters and a selection of drawing rooms in which to put them. Adapt a George Eliot novel and you’re faced with a whole town of people – figures from grand houses, workhouses and everything in between. It’s quite a task, but one that Geoffrey Beevers has made his speciality. Read more...
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Arena: The National Theatre, Part One - The Dream, BBC FourFriday, 25 October 2013
How irksome in some ways for the National Theatre that both the glamour and the accessibility of cinema have bookended its first 50 years, when the company and, latterly, its Southbank home, are essentially driven by and dedicated to live performance. But it was Laurence Olivier’s film career, making him a household name, which helped secure for him the job as first director of the National Theatre in 1963. Read more... |
Raving, Hampstead TheatreFriday, 25 October 2013
The comedy of manners is not dead. It’s alive and kicking, often literally, at this north London venue in actor Simon Paisley Day’s new play. Although the title suggests a group of teenagers dancing in a warehouse, the actual subject of the play is a handful of couples who have left their children behind in order to spend three days relaxing in a remote countryside location. Throw in one or two wild cards and this laughter machine is soon turning over. Read more... |
From Here to Eternity, Shaftesbury TheatreThursday, 24 October 2013
“Love and pain is like peace and war - you want one you have to have the other.” It’s a line that pretty much sums up From Here to Eternity. The title of James Jones’s novel and the classic movie which it spawned gets rather lost in the new musical from Tim Rice, Stuart Brayson, and Bill Oakes. Read more... |
The Djinns of Eidgah, Royal Court TheatreWednesday, 23 October 2013
The Royal Court is justly proud of being the home of British new writing, but it is also a venue which has a great tradition of staging work from abroad. From bringing Brecht and Beckett here in the 1950s to its more recent international summer schools, this is a place where you might make the acquaintance of Eastern European, Latin American or Russian playwrights. Read more... |
The Love Girl and the Innocent, Southwark PlayhouseWednesday, 16 October 2013
Southwark Playhouse's new production of The Love Girl and the Innocent is London’s first in over 30 years, and there’s a reason Alexander Solzhenitsyn’s play rarely reaches the stage: it’s a lumpy mammoth of a script, demanding a cast upwards of 50, with stage directions that would be monumental if interpreted literally. Read more... |
Tonypandemonium, National Theatre WalesTuesday, 15 October 2013
Henry James said, “Realism is what in some shape or form we might encounter, whereas Romanticism is something we will never encounter.” The 19th-century Realists believed that “ordinary people” were “fit to be endowed” with the greatness of imaginative writing. Read more... |
The Events, Young Vic TheatreTuesday, 15 October 2013
Is this the year’s most controversial play? When it opened at Edinburgh in August, David Greig’s The Events created a stir because its depiction of the aftermath of an atrocity is reminiscent of Norway’s Anders Breivik and the 2011 Utoya shootings. The more lurid commentators denounced this as exploitation theatre; concerned liberals shook their heads. But, with the play now visiting London, audiences have the chance of appreciating a much deeper work than the fuss suggested. Read more... |
Adult Supervision, Park TheatreFriday, 11 October 2013
It's often a sign of a good drama when, as it concludes, you find it hard to tell which character you dislike most. And so it is with Adult Supervision - all the way through, first-time playwright Sarah Rutherford skilfully manipulates your allegiances, causing your sympathies to shift and shift again until there is no one left to be redeemed. Read more... |
The Light Princess, National TheatreThursday, 10 October 2013
Once upon a time, there were two cultures, and they were at odds. A forested wilderness stretches between the kingdoms of Sealand and Lagobel, as we glean from the childishly-drawn, giant map that serves as a front cloth for the NT's new musical spectacular – directed by Marianne Elliot and opening in the Lyttelton last night. The map shows, on one side of the wilderness, Sealand’s coastal realm with winding rivers and a chateau bristling with turrets, all in shades of blue. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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