Theatre Reviews
Fatherland, Lyric Hammersmith review - loud and proud, shame about the contentSaturday, 02 June 2018
Masculinity, whether toxic or in crisis (but never ever problem-free), is a hardy perennial subject for British new writing, and this new piece from playwright Simon Stephens, Frantic Assembly director Scott Graham and Underworld musician Karl Hyde is a verbatim drama made up of... Read more... |
Translations, National Theatre review - an Irish classic returns with cascading forceThursday, 31 May 2018
What sort of physical upgrade can a play withstand? That question will have occurred to devotees of Brian Friel's Translations, a play that has thrived in smaller venues (London's Hampstead and Donmar, over time) and had trouble in larger spaces: a 1995 Broadway revival, starring Brian Dennehy, did a quick fade. Read more... |
Tartuffe, Theatre Royal Haymarket review - dual-language production loses its wayThursday, 31 May 2018
The idea of producing a classic play in a mix of two languages is pretty odd. What kind of audience is a bilingual version of Molière’s best-known comedy aiming at, you wonder. Homesick émigrés? British francophiles with rusty A-level French? Neither constituency is likely to be satisfied by this curious dish that is neither fish nor fowl. Read more... |
Consent, Harold Pinter Theatre review - exhilaratingWednesday, 30 May 2018
Question: is Consent, transferred from the National to the West End, a sharp-tongued comedy or an acute reinvention of a revenge drama? Read more... |
Break of Noon, Finborough Theatre review - irredeemable?Tuesday, 29 May 2018
I’ve forgotten my wallet. Read more... |
Peter Pan, Regent's Park Open Air Theatre review - ensemble playing at its bestSaturday, 26 May 2018
This exuberant production both clarifies and further complicates the conundrum of Peter Pan. In any production true to Barrie there is an underpinning of sadness, an acknowledgement of the losses we must all suffer: children leave home and adult responsibility takes the place of childhood innocence. Read more... |
The Grönholm Method, Menier Chocolate Factory - sleek and short but in no way deepFriday, 25 May 2018
Add Catalan writer Jordi Galcerán to the shortlist of European playwrights who are finding an international perch, in this case with a tricksy four-character play that has had more than 200 productions in over 60 countries. Read more... |
The String Quartet’s Guide to Sex and Anxiety, Brighton Festival review - molto nervosoFriday, 25 May 2018
Calixto Bieito has a reputation as a radical theatre-maker, and by any standards The String Quartet’s Guide to Sex and Anxiety is an unusual, genre-breaking piece; Bieito has described it as “like a symphonic poem for a quartet of musicians, and a quartet of voices”. Read more... |
As You Like It / Hamlet, Shakespeare’s Globe review - ensemble emphasis sets a leaner styleFriday, 18 May 2018
There’s a distinct feeling of back to basics to this opening double bill at the Globe under the theatre’s new Artistic Director Michelle Terry. The elaborations (some would say gimmickry) of Emma Rice’s short tenure have been reined back, and a new concentration prevails. Read more... |
Effigies of Wickedness, Gate Theatre review - this sleek cabaret conceals desolation behind a smileThursday, 17 May 2018
The show’s subtitle – “Songs banned by the Nazis” – is a catchy one, and somewhere under the confetti, the stilettos, the extravagant nudity, the sequins and even shinier repartee that are wrapped around Effigies of Wickedness like a mink coat on the shoulders of an SS officer’s mistress is the bruised and grubby story of one of history’s foulest episodes. Read more... |
Pages
Advertising feature
★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
latest in today
'We are bowled over!' Thank you for your messages...
