Theatre Reviews
Girl From The North Country, Gielgud Theatre review – poignant collaboration between Conor McPherson and Bob DylanMonday, 23 December 2019
Despair hangs like mildew over the small iron-ore mining town of Duluth, Minnesota, where dreams go to die, and the living haunt the clapped-out buildings like lost souls. Read more... |
Peter Pan Goes Wrong, Alexandra Palace Theatre review - JM Barrie's classic as you have never seen it beforeThursday, 19 December 2019
Mischief Theatre is a wonder of modern commercial theatre. In 2008, a group of young actors who had met at drama school started the ensemble – writing, producing, directing and performing their own work. Read more... |
Curtains, Wyndham's Theatre review - unexpectedly giddy funWednesday, 18 December 2019
Who knew? This West End premiere of the 2007 Broadway entry from the legendary songwriting team of John Kander and Fred Ebb (Chicago, Cabaret) secured a prime holiday-season slot at the last minute when this playhouse's previous entry, The Man in the White Suit, closed prematurely. Read more... |
Snowflake, Kiln Theatre review - strong but clumsy generational warTuesday, 17 December 2019
The prolific Mike Bartlett – from whose pen have leapt television series such as Doctor Foster and Press, as well as stage hits such as King Charles III – has two things to celebrate tonight. Read more... |
Swive, Shakespeare's Globe review – pacy, dagger-sharp rewriting of historyMonday, 16 December 2019
History has corseted Elizabeth I with the title of “Virgin Queen” for centuries, but in Ella Hickson’s laceratingly witty new play she is revealed as nothing less than a lioness on a hot tin roof. Read more... |
Teenage Dick, Donmar Warehouse review - a fearlessly acted, well-intentioned messFriday, 13 December 2019
If good intentions were everything, Teenage Dick would be the play of the year. Read more... |
A Kind of People, Royal Court review - multiculturalism falls apartThursday, 12 December 2019
The trouble with prejudice is that you can't control how other people see you. At the start of her career, playwright Gurpreet Kaur Bhatti's work was set in her own Sikh community. Read more... |
The Ocean at the End of the Lane, National Theatre review - terrifying, magical coming of age storyThursday, 12 December 2019
This scary, electrically beautiful adaptation of Neil Gaiman’s book about living on the faultline between imagination and reality is a fantastically alternative offering for the festive season. Read more... |
Goldilocks and the Three Bears, London Palladium review - joyously filthy funThursday, 12 December 2019
When Qdos brought back pantomime to the Palladium three years ago after an absence of nearly 30 years, it set the bar high with superb production values, a large ensemble, a live band – and a stage stuffed with stars. Read more... |
Three Sisters, National Theatre review - Chekhov in time of warWednesday, 11 December 2019
Inua Ellams’ Three Sisters plays Chekhov in the shadow of war, specifically the Nigerian-Biafran secessionist conflict of the late 1960s which so bitterly divided that newly independent nation. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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