thu 15/05/2025

New Music Reviews

theartsdesk on Vinyl 76: Elton John, Pharoah Sanders, Hellripper, Jah Wobble, T-Rex and more

Thomas H Green

There will be two theartsdesk on Vinyls this week. The first is here, an epic 11,000 words on a multitude of new releases in every genre, from reissues of classics to spanking new strangeness. There’s something for everyone. On Thursday we’ll have a special edition in honour of Record Store Day this coming Saturday, so watch out for that too. For now, though, dive in!

VINYL OF THE MONTH

Read more...

Goat, The Mill, Birmingham review - Scandinavian pagans see the weekend out in style

Guy Oddy

It might be nigh on six months since Scandinavian shamen (and women) Goat released their latest opus, Oh Death, but it has taken until now for them to finally bring their energetic live show back to the UK. On Sunday’s evidence, it is a wait that now feels like a small price to pay though, as Brummies young and old blew their minds and danced their socks off to intoxicating sounds that provoked a seriously ecstatic response.

Read more...

Music Reissues Weekly: Pharoah Sanders Quartet - Live at Fabrik Hamburg 1980

Kieron Tyler

Promises attracted a lot of attention upon its 2020 release. The album brought together UK electronica artist Floating Points, The London Symphony Orchestra and storied US jazz individualist Pharoah Sanders, who died in September 2022. It became his last album. Promises – composed by Sam Sheperd in his Floating Points guise – cannot though have been conceived to be as high profile as it became.

Read more...

The Damned, Town Hall, Birmingham review - original punks bring some darkadelica to a full house

Guy Oddy

The last time I saw the Damned live in concert was in a big tent in Finsbury Park in 1986, to celebrate the band’s 10th anniversary. It remains, without any doubt, the most violent gig that I’ve found myself experiencing to this day.

Read more...

The Orielles, G2, Glasgow review - shoegaze trio keeping their eyes on the future

Jonathan Geddes

It is temping to wonder what path the Orielles would have gone down in a world where the coronavirus never occurred. The Halifax trio had just released their second album, Disco Volador when the pandemic struck, and wiped out any hope of touring the record. Instead they reworked material from the record for use scoring a film, and have now returned with last year’s Tableau album as a significantly different beast.

Read more...

Orbital, Brighton Centre review - a solid hands-in-the-air night out

Thomas H Green

Just before the encore, the crowd is finally warmed up and dancing. It took a while, but hands are now in the air, middle-aged bodies are shifting about, muscle memory of MDMA nights in the last century.

Read more...

Music Reissues Weekly: Too Much Sun Will Burn - The British Psychedelic Sounds Of 1967 Volume 2

Kieron Tyler

Together or separately, British psychedelia and 1967’s related music have been ceaselessly looked at. There cannot be an awful lot more to say. Nonetheless, the law of diminishing returns is there for ignoring so herewith the follow-up to the 2016 box set Let’s Go Down & Blow Our Minds.

Read more...

Mimi Webb, O2 Academy, Glasgow review - TikTok queen fails to fire with sparse set

Jonathan Geddes

Blake Rose clearly wasn’t leaving anything to chance. The support act bounded onstage draped in a Saltire, and soon brought up his days growing up in Aberdeen before moving to Australia. That Scottish upbringing helped inspire one of his songs, “Sweet Caledonia”, and going by the lively reaction he received from the youthful Glasgow crowd they were glad to take him as their own.

Read more...

Vossa Jazz 2023 review: Norwegian festival’s 50th-anniversary edition keeps traditional music close

Kieron Tyler

Two drummers are drumming. One held the beat on ABBA’s “Super Trouper”. He is Sweden’s Per Lindvall, more usually associated with jazz. The other is Norway’s Rune Arnesen, whose recording credits are also stylistically varied. Locked-in tight together, their groove provides the backbone for a band led by Norwegian trumpeter Nils Petter Molvær, whose 1996 album Khmer was his first for the ECM label. This is a live revisitation of the album.

Read more...

Music Reissues Weekly: McNeal and Niles - Thrust, Wilbur Niles and Thrust - Thrust Too

Kieron Tyler

An original pressing of 1979’s Thrust fetches at least £1000. Its 1980 follow-up Thrust Too can be a relative bargain at around £400. The prices are partly explained by J Dilla having sampled Thrust Too’s “Survival of the Funkiest” and Thrust’s “Summer Fun” being sampled by Daphni. Both funk-soul albums – the first credited to McNeal and Niles, the second to Wilbur Niles and Thrust – were barely circulated and barely sold. Text-book collector’s items.

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Album: Billy Nomates – Metalhorse

Metalhorse is a concept album that uses visions of a dilapidated funfair as a metaphor for life’s various ups and downs. It especially...

The Comedy About Spies, Noel Coward Theatre review - 'G...

From the creative team that brought you The Play That Goes Wrong in 2012 (and assorted sequels) comes this spy caper. As ever...

House of Games, Hampstead Theatre review - adapted Mamet scr...

There is so much that is right about Jonathan Kent’s new production of House of Games – the casting, the staging, the...

Karim Said, Leighton House review - adventures from Byrd to...

William Byrd, Arnold Schoenberg and their respective acolytes go cheek by jowl, crash into one another, soothe, infuriate and shine in their very...

Album: MØ - Plæygirl

Danish singer MØ is a paradox. Initially she appeared to be another Scandi electro-pop princess of the bangers. The monster 2015 hit “Lean On”...

Stile Antico, Wigmore Hall review - a glorious birthday cele...

There was a wonderful festal spirit at the Wigmore Hall last night, as the vocal ensemble Stile Antico ran through a Greatest Hits selection in...

PUP, SWG3, Glasgow review - controlled chaos from Canadian p...

According to PUP lead singer Stefan Babcock, the Toronto foursome practiced together a grand total of twice before embarking on their current UK...

Zoe Lyons, Touring - midlife, without the crisis

Zoe Lyons knows her audience; as a few shoutouts confirmed, many of them are long-time fans, and have had lives with similar highs and...

The Last Musician of Auschwitz review - a haunting testament...

“It is so disgraceful, what happened there,” says Anita Lasker-Wallfisch, in a comment that is the understatement of the century. She is referring...