thu 15/05/2025

New Music Reviews

Jockstrap, Heaven review - ecstasy in underground bass

India Lewis

Jockstrap’s crowd, in the vaults of Heaven, was always going to be beautiful and effortlessly cool. Ushered in by a ticket-check clerk sporting love bites, the dreamy sounds of the warm-up act, Pablo, filled the underground space.

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Marina Allen, Cafe Oto Review - east London substitutes for 1970s Los Angeles

Kieron Tyler

When Marina Allen’s second album Centrifics came out last autumn, the Los Angeles singer-songwriter said her voice was the only instrument on the record. She writes on guitar and piano but beyond what she sang, everything else was played by collaborators. Seeing her live might reveal how she saw the songs away from their studio setting – maybe getting close to how they were originally conceived.

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Carly Rae Jepsen, Brighton Dome review - iridescent disco hooks to get you dancing

Katie Colombus

If I’m honest, venturing out into a misty Brighton night with my Tweens for their first proper gig (we won’t count Olly Murs – they were children then) felt somewhat trepidatious.

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Transatlantic Sessions, Southbank Centre - an evening of stellar music-making

Liz Thomson

It all ended in great style, the 20th edition of The Transatlantic Sessions which closed out its tour at London’s Southbank Centre on Saturday. The line-up of musicians is, of course, an embarras de richesse: a house band led by Aly Bain, master fiddler and Scottish icon, and Jerry Douglas, dobro and steel guitar maestro, a Nashville legend whose mantelpiece bears the weight of 14 Grammys.

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Music Reissues Weekly: Modern Eon - Fiction Tales

Kieron Tyler

The most commercially and consistently successful band on DinDisc was Orchestral Manoeuvres in the Dark. Martha and the Muffins also made a mark. Label mates The Monochrome Set were cool, distinctive but not so chart friendly. The Revillos were less reserved, as was New Wave of British Heavy Metal outfit Dedringer. The patronage of Heaven 17 brought dance troupe Hot Gossip to the label.

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Album: Amber Arcades - Barefoot On Diamond Road

Kieron Tyler

In this context, what’s named “diamond road” is a metaphor for staying on course rather than, as the lyrics of the song “Diamond Road” put it, letting yourself go or sprawling all over the floor. Follow this route and life won’t be a mess.

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Eliza Carthy and The Restitution, Barbican review - folk at its finest

India Lewis

Eliza Carthy has been busy, as she always has. Recording various albums with various artists during the pandemic, her show with her band, The Restitution (and many others), at the Barbican on Saturday, was well stuffed with music, musicians, laughter, familial connections and celebrations. 

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Music Reissues Weekly: The Senders - All Killer No Filler

Kieron Tyler

The New York Dolls, The Ramones, Suicide, Television, Blondie, The Dictators, The Heartbreakers, The Shirts, Richard Hell and the Voidoids. From 1974 onwards, New York buzzed with bands. There were also Tuff Darts, The Fast, Pure Hell, Von Lmo and others who didn’t quite grab the brass ring. Out of towners like The Dead Boys, Pere Ubu, Devo and The Real Kids jostled for attention too.

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Northern Winter Beat 2023 review - Panda Bear, Sonic Boom and Širom amongst the highlights in Denmark’s north

Kieron Tyler

It’s the sound of the sun. Panda Bear – born Noah Lennox – is singing in a voice with the purity and warmth of Brian Wilson. Beside him, Sonic Boom – Pete Kember – has more of a growl, a timbre which might make announcements in a railway station. The contrast works well. Sweet and slightly sour.

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Album: Robert Forster - The Candle and the Flame

Kieron Tyler

Reflections on how the past relates to now suffuse The Candle and the Flame. The album’s closing track is “When I Was a Young Man.” When he was 21, sings Robert Forster, “I wrote songs, I was unsung, unheralded and undone”. His figurative brothers David and Lou showed him the way. Now in his mid-Sixties, he has a considerable artistic inventory to look back on. Including The Go-Betweens, solo albums, his writing. Messrs Bowie and Reed would be proud of what they helped initiate.

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