wed 06/08/2025

India Lewis

Articles By India Lewis

Howard Amos: Russia Starts Here review - East meets West, via the Pskov region

Read more...

The End review - surreality in the salt mine

Read more...

Shon Faye: Love in Exile review - the greatest feeling

Read more...

Jacqueline Feldman: Precarious Lease review - living on the edge

Read more...

Catherine Airey: Confessions review - the crossroads we bear

Read more...

Julia Holter, Islington Assembly Hall review - shelter from the storm in experimental delight

Read more...

Jeff Young: Wild Twin review - a box of tricks

Read more...

Since Yesterday review - championing a neglected female music scene

Read more...

Claire Messud: This Strange Eventful History review - home is where the heart was

Read more...

Travels Over Feeling: The Music of Arthur Russell, Barbican review - a sublime evening undercut by tonal shifts

Read more...

Heather McCalden: The Observable Universe review - reflections from a damaged life

Read more...

Andrew O'Hagan: Caledonian Road review - London's Dickensian return

Read more...

Sheila Heti: Alphabetical Diaries review - an A-Z of inner life

Read more...

John Francis Flynn, The Dome review - new trad and taped tin whistles

Read more...

Lankum, Roundhouse review - a warm evening of folk mastery

Read more...

This Is The Kit, Barbican review - familiarity and charm

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Oslo Stories Trilogy: Dreams review - love lessons

Rising temperatures, prickling skin, longing’s all-consuming ache: first love’s swooning symptoms overtake 17-year-old Johanne (Ella Øverbye) in...

Káťa Kabanová, Glyndebourne review - emotional concentration...

Even more perhaps than straight theatre, opera seems to draw attention to the meaning behind what may on the face of it appear a simple story....

The Count of Monte Cristo, U&Drama review - silly telly...

Alexandre Dumas’ novel has been filmed an immeasurable number of times (there was a new French version only last year) and...

theartsdesk Q&A: filmmaker Dag Johan Haugerud on sex, lo...

"First love is always both terrible and wonderful at the same time", says the 60-year-Norwegian dramatist-novelist-director...

Edinburgh Fringe 2025 reviews: Lost Lear / Consumed

Lost Lear, Traverse Theatre ...

Edinburgh Fringe 2025 reviews - Alison Spittle / Christopher...

Alison Spittle, Monkey Barrel ★★★

Alison Spittle is fat, she tells us at the top of the show. But not as...

Blu-ray: Two Way Stretch / Heavens Above

The years between 1955’s The Ladykillers and 1964’s Dr Strangelove were the years of what Sanjeev Bhaskar recently described as...

Make It Happen, Edinburgh International Festival 2025 review...

You could distinctly hear the murmurs of recognition from the Edinburgh audience – responding to knowing mentions of the city’s Leith and...

Folkestone Triennial 2025 - landscape, seascape, art lovers...

A rare cloud form envelopes the headland and to the east and the west Folkestone is cut off from the known world. This mist shortens...