New Music Reviews
Inspiral Carpets, Concorde 2, Brighton review - a raucous catalogue of Madchester-era hitsTuesday, 28 March 2023
As Inspiral Carpets play “She Comes in the Fall”, a great song and one of their signature tunes, its martial drumming drags me into my own past. Seeing them play it at a 600-capacity venue makes me recall seeing them, over three decades ago, headlining the Reading Festival and, indeed, their own festival-style event at Alexandra Palace, when a female marching band would come onstage during this song. They were huge news then. Read more... |
Music Reissues Weekly: The Barracudas - Drop Out with the BarracudasSunday, 26 March 2023
From around July 1977, Jeremy Gluck began contributing to the UK music weekly Sounds. Amongst his pieces were features on The Lurkers, The Rezillos, 999 and his home country Canada’s punk band The Viletones. He’d also written about Generation X for what ended up as the final issue of Sniffin' Glue. In parallel, along with guitarist Robin Wills, he was formulating the band which became The Barracudas. Read more... |
Nick Mulvey, Chalk, Brighton review - cult star shines brightSaturday, 25 March 2023
Welcome to the church of Mulvey. The sold-out venue is packed with a svelte crowd, mostly ranging in age between about 30 and 45. Nick Mulvey is playing a new number which has an air of lockdown-inspiration about it, with its lines about “missing every one of you” and “feeling grace in solitude”. Read more... |
Suede, Symphony Hall, Birmingham review - a messianic performance from Britpop's originatorsThursday, 23 March 2023
“Why do we come to concerts?” asks Brett Anderson, Suede’s ringmaster and vocalist, before launching into an acoustic version of “The Wild Ones” from the stage of Birmingham’s Symphony Hall. “We come to concerts to feel something together, for a sense of community. So, if you know the words, please sing along.” Read more... |
Robert Forster, Lafayette review - élan, spontaneity and thoughtfulness from the former Go-BetweenWednesday, 22 March 2023
“Learn to Burn” generates the loudest and most sustained applause. As it was originally the opening track of Robert Forster’s 2015 album Songs to Play, the response is unexpected. It’s preceded by a version of his old band The Go-Betweens’ “Spring Rain,” and this London show follows the February release of his most recent album The Candle and the Flame – which would be an assumed focus of attention. So would an old favourite. This is a dedicated, attentive audience. Read more... |
Album: Cécile McLorin Salvant - MélusineMonday, 20 March 2023
In European folklore, mélusine are woman from the waist up and fish or serpent below. The fabled character is first known in the 13th century. Mélusine dwell in inland water – rivers, wells and such. Read more... |
Music Reissues Weekly: Duffy Power - Innovations, Live at the BBCSunday, 19 March 2023
Sometime in early October 1963 John Lennon and Paul McCartney encountered The Rolling Stones and offered them one of their songs; one which became the London blues aficionado’s second single. “I Wanna be Your Man” was duly recorded on 7 October 1963 and released on 1 November. Thanks to The Beatles, the Stones charted for the first time. A Liverpool-London, north-south divide had been breached. Read more... |
Kreator, Chalk, Brighton review - an invigoratingly relentless assaultTuesday, 14 March 2023
Mille Petrozza is roaring into the mic, teeth gritted, black hair flailing. Behind his growl-screeching a triumphant martial riff is holding the “tune” and behind that, never-ceasing drum beats, an exercise in pure velocity. Read more... |
Ladytron, SWG3, Glasgow review - synth stars show time hasn't diminished their relevanceMonday, 13 March 2023
It is a sign of Ladytron’s longevity and relevance that their support acts are now performers clearly inspired by the quartet. Elisabeth Elektra, here picked for opening the night in her home city, may not have the icy cool of the evening’s headliners, but the lineage of her buoyantly loud electro pop was clear. Read more... |
Music Reissues Weekly: Heavy Metal Kids - The Albums 1974-76Sunday, 12 March 2023
The booklet coming with The Albums 1974-76 notes Johnny Rotten saw Heavy Metal Kids live and that the Sex Pistol “ripped off” their frontman Gary Holton. It's an assertion in keeping with a default option where the HMKs are referred to as a precursor band to punk – one helping to lay the table for it. Read more... |
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