sun 10/08/2025

New Music Reviews

Tirzah, The Colour Factory review - dry ice and bedroom beats

India Lewis

Less than ten days after (surprise) releasing her new album, trip9love…???, Tirzah took to a small stage in Hackney Wick to play it through (in order), wreathed enigmatically in dry ice.

Read more...

Music Reissues Weekly: David Westlake - D87

Kieron Tyler

Becoming reacquainted with what was originally titled Westlake in 1987 is a pleasure. Yes, at his own measured pace, David Westlake has issued great albums since then and his Eighties and Nineties band The Servants have been the subject of various archive releases. It is not as though he has vanished. But any reminder of his flair as a songwriter is welcome.

Read more...

theartsdesk on Vinyl 79: Primal Scream, Girl Ray, Mort Garson, Barbie, Nina Simone, Dengue Fever and more

Thomas H Green

VINYL OF THE MONTH

African Head Charge A Trip to Bolgatanga (On-U Sound)

Read more...

Hardanger Musikkfest 2023 review - fertility, folk music and the supernatural unite along Norway’s fjords

Kieron Tyler

The cows are scattered across the mountains. Without scrambling up the slopes, the only way to summon them is to call. Unni Løvlid is beckoning them. Instead of standing outdoors she is in the medieval Ullensvang Church, in the Norwegian village of Lofthus. She uses the interior of a grand piano to get the necessary resonance, the echo which distant animals would hear.

Read more...

Supersonic Festival 2023, Birmingham review - musical eccentrics battle the odds and come out on top

Guy Oddy

You’ve got to feel for Lisa Meyer and the team behind Birmingham’s magnificent Supersonic Festival. Just as the live music scene gets to a point where the Covid pandemic is no longer a malign influence on dancing and having fun in a room full of like-minded people, the UK is hit by a two-day rail strike that coincides with this annual shindig of the musically wild and wonderful. On top of that, our loathsome Home Secretary refused to grant a visa for Day One’s headline act, MC Yalla.

Read more...

Music Reissues Weekly: March of the Flower Children - The American Sounds of 1967

Kieron Tyler

“March of the Flower Children” was a June 1967 B-side by Los Angeles psych-punks The Seeds. The track was extracted from their third album Future, a peculiar dive into psychedelia which was as tense as it was turned on. While the song’s lyrics referenced a “field of flowers,” a “painted castle” and a sky “painted golden yellow” the mood was jittery, unstable.

Read more...

Medicine Festival review - the new New Age gathers in leafy Berkshire

Peter Culshaw

Fia is a Swedish singer with a crystalline voice and a ear for a great melody - her singalong choruses are not typical for a festival Friday night headliner, like getting the audience to join in with “Sit with your pain/ cradle it close/ and when you’re ready/ Let it go.” This had a hypnotic effect on the audience, more mass therapy than a having a good time.

Read more...

Music Reissues Weekly: Keith Levene and The Clash

Kieron Tyler

Forty-seven years ago this week, a new band called The Clash were seen by a paying audience in London for the first time. On Sunday 29 August 1976 they played Islington’s Screen on the Green cinema, billed between Manchester’s Buzzcocks – their earliest London show – and rising luminaries Sex Pistols. Doors opened at midnight. The anniversary needs marking.

Read more...

Album: Slowdive - Everything is Alive

Kieron Tyler

Everything is Alive opens with all that could be wanted from a Slowdive album. “Shanty” is just-under six minutes of out-of-focus, shimmering aural fog in which guitars throb and drums are a distant pulse. An acid-house-type heartbeat is offset against a harpsichord-like refrain recalling Broadcast. Lines drift in about a burning candle and the arrival of night. It all seems to be about the passing of time.

Read more...

The Walkmen, SWG3, Glasgow review - a classy return for New York's finest

Jonathan Geddes

As the relentless, hammering beat of “The Rat” faded away, the Walkmen’s singer Hamilton Leithauser was evidently in buoyant mood. “Like riding a bike,” he declared to the Glasgow crowd, and this was a statement that proved consistently accurate throughout the 75-minute set, as the reunited quintet played in a manner that felt like they’d never been away.

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

'We are bowled over!' Thank you for your messages... ...
Budapest Festival Orchestra, Iván Fischer, Edinburgh Interna...

Fresh from their triumph at the Proms, the Budapest Festival Orchestra arrived at the Edinburgh International Festival with a programme that...

Tom at the Farm, Edinburgh Fringe 2025 review - desire and d...

As shockingly beautiful as it is horrifyingly brutal, actor Armando Babaioff’s deeply Brazilian adaptation of thriller Tom at the Farm...

MARS, Irish National Opera review - silly space oddity with...

The craft heads to Mars, the music remains below on earth. Which is partly intentional: composer Jennifer Walshe tells us she listened to “synth...

Works and Days, Edinburgh International Festival 2025 review...

With the sheer density of theatrical creations jostling for attention across...

Eight Postcards from Utopia review - ads from the era when 1...

If you saw it blind, with no information about its origins, Eight Postcards from Utopia might look like 70 minutes of outtakes...

Music Reissues Weekly: The Final Solution - Just Like Gold

The booklet coming with Just Like Gold - Live At The Matrix frequently refers to the band as “The Solution.” It will be...

Every Brilliant Thing, @sohoplace review - return of the com...

The Fringe piece Duncan Macmillan devised with Jonny Donahoe in 2014 has since been round the world and back, finally landing in the...

Edinburgh Fringe 2025 reviews - Lily Phillips / Ayoade Bamgb...

Lily Phillips, Monkey Barrel ★★★★

Lily Phillips is keen to tell us at the top of her...

The Kingdom review - coming of age as the body count rises

The acorn doesn’t fall far from the tree is the bitter message of The Kingdom. Director and co-writer...