mon 18/08/2025

New Music Reviews

Dr John & The NiteTrippers, Ronnie Scott's

Thomas Rees

Blues is an old man’s game. To do it properly you really have to have lived, and to have the scars and the criminal record to show for it. How do I know? Because Mac “Dr John” Rebennack is living proof. As he shuffled on at Ronnie Scott’s last night to join his NiteTripper four-piece, with a walking stick in each hand and his dreadlocked pony tail hanging over one shoulder, he had the look of a man who’s done himself serious damage over the years.

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The Stranglers, O2 Academy, Birmingham

Guy Oddy

Perhaps it’s because today’s economy often seems to reflect the nightmare of the late Seventies, but recent years have seen plenty of the original punks return to public attention with a renewed vigour. Whereas some, like support band The Rezillos, have reformed after a break of several decades, the Stranglers, despite a few line-up and stylistic changes, have never gone away and aren’t shy about playing a set of tunes drawn from their 40-year career.

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Reissue CDs Weekly: Simple Minds

Kieron Tyler

 

Simple Minds Sparkle in the RainSimple Minds: Sparkle in the Rain

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Paloma Faith, Brighton Centre

Thomas H Green

Paloma Faith has been on the front pages lately. Winning the Brit Award for Best Female Solo Artist 2015, following two previous unsuccessful nominations, has done her profile no harm. A few songs in tonight she squats down behind the grand piano and announces, “There’s a little thing round here,” then triumphantly produces her Brit, dedicating it to her audience.

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Spandau Ballet, Brighton Centre

Thomas H Green

Of course they had to end with “Gold”. It’s one of those songs which, once heard, even if you dislike Spandau Ballet, is impossible to remove from the brain, a bona fide Eighties classic. Lead singer Tony Hadley and guitarist Gary Kemp, the man who wrote their songs, even performed a short acoustic version earlier on, perched amid the Brighton Centre’s 4500 capacity crowd in the sound desk area.

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Reissue CDs Weekly: Tav Falco

Kieron Tyler


Hip Flask – An Introduction to Tav Falco & Panther BurnsTav Falco & Panther Burns: Hip Flask – An Introduction to Tav Falco & Panther Burns

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Say Yes To Another Excess - TWERK, Sadler's Wells

Heidi Goldsmith

"The music will be loud," the slender usher warns on entry to altered natives' "Say Yes To Another Excess" – TWERK, as a Grime bassline shakes the flimsy theatre floor. She hands over a text-heavy programme and does not frisk me. This is no London Bridge warehouse, although bouncers giving out freesheets on the door could be a great way to get the middle classes down to a rave. For now regular Rinse FM DJs Skilliam and Elijah are coming to the ballet.

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theartsdesk on Vinyl: Volume 3 - Nick Cave, Max Richter, Vessels, and more

Thomas H Green

Did you know there's a heated debate going on about “hot stampers”? As the resurgence in vinyl continues, there are those who wish to attribute value to their own knowledge and to their vinyl collections. In the e-consumer trenches, where audiophiles heatedly discuss purchasing and repurchasing classic albums, there’s been much debate about major label reproductions from digital masters, about how they lose the richness of the originals.

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tUnE-yArDs, Royal Festival Hall

Katie Colombus

For the headliners of the Women Of The World Festival at London's Southbank Centre, there is less feisty feminism put on for show than you might expect. It's a nod to how far things have progressed - that other than the obligiatory thanksgiving for "being a loud woman on a stage of loud women plus a man who loves women", it's strength of self belief in the artists of tUnE-yArDs that lets us know what they believe in - and it's truly inspiring.

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Mari Kvien Brunvoll, Kings Place

Heidi Goldsmith

Mari Kvien Brunvoll - Norwegian improviser, singer and composer - enters the Kings Place stage more like a pianist's page-turner than the night's sole performer, and sits cross-legged at her pedals. Dressed in a neutral dark grey, she doesn't seek applause so instead we are left silently watching her adjust a microphone and untie a little red book. Her methodical calm creates a patient audience, intrigued enough to find her subtle actions compelling. 

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