sat 17/05/2025

New Music Reviews

Susheela Raman, Jazz Cafe

Peter Culshaw

If a band gets up and says “We are only going to be playing songs from our new album, not actually released here yet” normally most audiences would groan mightily. But somehow Susheela Raman has educated her audience to expect the unexpected. Her somewhat wayward musical path has included Indo-jazz, rock covers, Tamil voodoo music and introspective songs. It has not been one that a manager or record company would have recommended. They tend to like more of the same.

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Reissue CDs Weekly: Cyril Davies, Girls With Guitars

Kieron Tyler


The Cyril Davies' All-Stars: Radio Sounds of Cyril Davies The Cyril Davies' All-Stars: Radio Sounds of Cyril Davies Various Artists: Girls With Guitars

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Just in From Scandinavia: Nordic Music Round-Up 12

Kieron Tyler

The voice is unmistakably Icelandic. Fluting and dancing around the notes, the words it carries are broken into segments which don’t respect syllables. Although singing in English, Hildur Kristín Stefánsdóttir hasn’t sacrificed her Icelandic intonation.

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Reissue CDs Weekly: Love, The Red Crayola

Kieron Tyler


Love Love SongsLove: Love Songs The Red Crayola: The Parable of the Arable Land

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Sheryl Crow, Royal Albert Hall

Matthew Wright

Sheryl Crow doesn’t do genres. She may have recorded her first authentically country album, Feels Like Home, in Nashville recently, but for her, the tag seems to mean little. “It’s country, but it just sounds like a Sheryl Crow record,” she told the BluesFest audience last night, and whenever the subject came up afterwards, she put finger-wiggling inverted commas around the term “country”.

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Elvis Costello, Royal Albert Hall

Fisun Güner

Georgie Fame opened the evening with a five-piece band, including the singer on his old Hammond organ. Favourites such as “Yeh, Yeh” were belted out to pleasing effect, as well as covers that included Van Morrison’s “Moondance” (Morrison played the packed-out BluesFest the previous evening). It was a strange, “extended” version that paid homage to a Paul Robeson number – Fame boomed out an African chant that bookended the song.

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Fuse ODG, Under the Bridge

Matthew Wright

The Afrobeats scene is coming to a venue near you. Anglo-Ghanaian artist Fuse ODG, who won the best African Act MOBO last week for the second year running, launched his first album T.I.N.A. last night with a relentless, exuberant performance that brought out the African party flavour to these songs. His album release and tour, on the back of the MOBO success, marks a significant moment in his progression from niche internet popularity to the mainstream.  

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Reissue CDs Weekly: Minny Pops, The Pop Group

Kieron Tyler

 

Minny Pops: Drastic Measures, Drastic MovementMinny Pops: Drastic Measures, Drastic Movement The Pop Group: Cabinet of Curiosities, We are Time

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Lady Gaga, O2 Arena, London

Thomas H Green

Gaga’s relationship with her fanbase, her “Little Monsters”, is quite a thing. I’ve not seen the O2 so permanently on its feet. Large swathes of her capacity crowd are up and dancing right from the opening number. They adore her and are dressed to show it, from middle-aged ladies to gay men to teenage girls to many multitudes of humanity in between.

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John Cooper Clarke, Town Hall, Birmingham

Guy Oddy

John Cooper Clarke has assumed many roles since he came motoring out of Salford in the mid Seventies, spitting out poetry from a distinctly untraditional view point. There were tales of how you’d never see a nipple in the Daily Express (“This paper’s boring mindless mean, full of pornography, the kind that’s clean”) and marrying a monster from outer space (“We walked out tentacle in hand.

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