mon 18/08/2025

New Music Reviews

Spectres, The Lexington

Barney Harsent

I first saw Spectres last October at the 10th birthday celebrations for their label, Sonic Cathedral. That night, they struck me as noisy, spiky and fun. If that sounds like faint praise, it really wasn't meant to be – noisy, spiky fun is in my all-time top three funs.

Read more...

Reissue CDs Weekly: Bridget St. John

Kieron Tyler

 

Bridget St. John: Dandelion Albums & BBC CollectionBridget St. John: Dandelion Albums & BBC Collection

Read more...

Jazz for Labour, Barbican

Thomas Rees

Jazz and politics go way back. Throughout its history the music has been involved with underground resistance movements in Nazi Germany and Communist Russia. It was inextricably entwined with civil rights campaigns in the United States and it played a part in the struggle against South African apartheid.

Read more...

The War on Drugs, O2 Academy Brixton

Barney Harsent

It would probably be best to start this review with a mention of the band, The War on Drugs, whose 2014 LP, Lost in the Dream, saw them realise their potential in a flurry of "Best Of" lists and almost unbelievable hyperbole. However, before we get fully into that, I should state, for the record, that I’ve always hated Brixton Academy.

Read more...

The Jesus & Mary Chain, Brighton Dome

Thomas H Green

“The Sun comes up, another day begins/And I don’t even worry ‘bout the state I’m in.” One of the great opening lines in rock and a motto to live by. The Jesus & Mary Chain lay into their second single, "Never Understand", with deadpan gusto, their soundman pushing the decibels up. Murky silhouettes amid dry ice under an array of strobing lights, they hammer it home. Jim Reid is at the microphone, clad in a box jacket and jeans, looking much as he ever did but with cropped monkish hair....

Read more...

Weyes Blood, The Old Blue Last

Matthew Wright

Pennsylvanian singer-songwriter Natalie Mering, aka Weyes Blood, performed her intoxicating brew of Gothic folk-tronica in Shoreditch last night, as part of a short UK tour playing the songs of her second album, The Innocents. Allusive, multi-layered (both in terms of tracks and themes), generically ambiguous and wryly humorous, she wasn’t perhaps an obvious choice for a lagered-up Saturday night crowd wanting boogie beats.

Read more...

Reissue CDs Weekly: The Zakary Thaks

Kieron Tyler

 

The Zakary Thaks It’s the End The Definitive CollectionThe Zakary Thaks: It’s the End – The Definitive Collection

Read more...

George Ezra, O2 Academy, Brixton

Russ Coffey

Well, the vocals were certainly formidable...but what else would you expect? As a teenager George Ezra says he would listen for hours to his dad’s Leadbelly albums, whilst gazing at sleeve notes that read: “This voice is so big you may need to turn your record player down.” That was Ezra’s inspiration. Last night his own voice was sufficient to fill Brixton Academy.

Read more...

Bob Dorough and Friends, Pizza Express Jazz Club

peter Quinn

Aged 91, and as frisky as a newborn puppy, the US singer, pianist and songwriter Bob Dorough is a sui generis stylist whose smart lyrics – delivered in an understated southern brogue – and nimble pianism which nods to both bebop and swing masters, combine to produce something quite unlike anything else in jazz. But what really lit up the Pizza Express Jazz Club was the joie de vivre of Dorough's performance, his humour and love of the ludic.

Read more...

CD: Carter Tutti – Carter Tutti Plays Chris & Cosey

Barney Harsent

There’s a danger in an artist having their work reinterpreted that the end result will be little more than a rough outline of the original. Look at Metallica’s axe job on the Velvet Underground for instance. Still, on the bright side, at least they increased the band’s "reach" to include jocks and morons.

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

'We are bowled over!' Thank you for your messages... ...
Gibby Haynes, O2 Academy 2, Birmingham review - ex-Butthole...

Gibby Haynes is the wild-eyed crazy man who used to front the Butthole Surfers back in the 1980s and 1990s. At the time, there was none weirder or...

BBC Proms: Le Concert Spirituel, Niquet review - super-sized...

There’s a Proms paradox that’s familiar to Early Music fans. Some works are too challenging – too big, too expensive, too uncommercial, too...

Album: Adrian Sherwood - The Collapse of Everything

UK dub maestro and producer, Adrian Sherwood is hardly what...

Oslo Stories Trilogy: Love review - freed love

Love was the Norwegian climax of Dag Johan Haugerud’s Oslo trilogy, the most lovestruck vision of his city and boldest prophesy of how to...

Music Reissues Weekly: The Residents - American Composer...

George & James was originally released in March 1984. Stars & Hank Forever! emerged in October 1986. The two LPs were...

Frang, Romaniw, Liverman, LSO, Pappano, Edinburgh Internatio...

Right from the bracing brass fanfare that began this Sea Symphony, you know exactly where you were: right in the midst of the deck, with...

Edinburgh Fringe 2025 reviews: Ordinary Decent Criminal / In...

Ordinary Decent Criminal, Summerhall ...

Edinburgh Fringe 2025 reviews - Emmanuel Sonubi / Joz Norris

Emmanuel Sonubi, Pleasance Courtyard ...

Album: Dinosaur Pile-Up - I've Felt Better

The history of popular music is littered with bands who...