mon 18/08/2025

New Music Reviews

Reissue CDs Weekly: Bobby Womack

Kieron Tyler


Bobby Womack: The PreacherBobby Womack: The Preacher

Read more...

Kate Tempest, George the Poet, Brighton Corn Exchange

Caspar Gomez

Kate Tempest's long blonde-brown hair flailed as she prowled the stage, red-faced from exertion, adhering not a jot to the media’s tick-boxes for femininity. She is smaller, by far, than her backing band, dressed down in baggy sweatshirt and jeans.

Read more...

theartsdesk on Vinyl: Volume 5

Thomas H Green

The big vinyl storm in the US media over the last month has been a kerfuffle about VNYL, the service that hoped to do for vinyl what Lovefilm used to do for DVDs. The idea, backed by a hefty and successful Kickstarter campaign, was VNYL would send members three records, based on their stated tastes and chosen by connoisseurs. These could be listened to and returned, to be replaced with others. Sounds like a dreadful idea. Vinyl is delicate and surely one of its pleasures is ownership?

Read more...

Lambert & Stamp

Kieron Tyler

“I fell in love with both of them immediately,” says Pete Townshend of Kit Lambert and Chris Stamp, the managers who took his band The Who to world-wide success. An hour into Lambert & Stamp, a documentary on the duo, the depth of that bond is belatedly seen in a touching clip of Townshend demonstrating one of his new songs. Singing with acoustic guitar, Townshend tries a tentative run-through of “Glittering Girl”.

Read more...

GoGo Penguin, Corn Exchange, Brighton

Nick Hasted

It’s a shock to see the Corn Exchange’s hundreds of seats sold out for a jazz piano trio. When I first heard GoGo Penguin two winters ago, it was in an East London basement, where new recruit Nick Blacka’s thunderous double-bass was inspiring a few intrepid dancers to their skittering beats, among a crowd of dozens. Since then, there’s been a Mercury nomination, and a recent three-album deal with America’s gold-standard jazz label, Blue Note, a remarkable achievement for a British band.

Read more...

theartsdesk in Aarhus: SPOT Festival 2015

Kieron Tyler

There’s no doubt SPOT is Europe’s tidiest music festival. In hosting SPOT, Denmark’s second-city Aarhus turns the expectation of what a festival can be around. There’s no mud, no one takes a stage late and the sound is always immaculate. Underworked stewards collect what little debris there is. The two main venues are so spotlessly non-rock they force the focus towards the music.

Read more...

Super Furry Animals, O2 Brixton Academy

Barney Harsent

The timing of this tour, to celebrate the 15th anniversary of their self-released, lo-fi masterpiece Mwng, could not be more fitting. The album was inspired, in part, by Welsh language punk band Datblygu, and the left-wing political feelings that ran through that band’s work.

Read more...

Reissue CDs Weekly: Spooky Tooth

Kieron Tyler

 

Spooky Tooth: The Island Years (An Anthology) 1967–1974Spooky Tooth: The Island Years (An Anthology) 1967–1974

Read more...

Squarepusher, Brighton Dome

Thomas H Green

There’s an odd duality about Brighton tonight. Post-election, it’s a righteous oasis, a green and red bubble amid a sea of blue. Most of Britain may have chosen to systematically destroy the NHS and the education system but Brighton stands fast.

Read more...

Hoobastank, P.O.D., Alien Ant Farm, KOKO

Lydia Perrysmith

It was a strange atmosphere inside Camden’s KOKO last night, like a very particular nu metal subgroup of 2003 having a reunion. There was no one under the age of 20 but there were still dreadlocks and beards aplenty. First up on this nostalgia-fest were Alien Ant Farm, the American rock band who formed in 1995 in Riverside, California. By the time the band come out on stage, the crowd has had time to buy a few warm, over-priced beers and are ready to let loose.

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

'We are bowled over!' Thank you for your messages... ...
BBC Proms: Le Concert Spirituel, Niquet review - super-sized...

There’s a Proms paradox that’s familiar to Early Music fans....

Gibby Haynes, O2 Academy 2, Birmingham review - ex-Butthole...

Gibby Haynes is the wild-eyed crazy man who used to front the Butthole Surfers back in the 1980s and 1990s. At the time, there was none weirder or...

Edinburgh Fringe 2025 reviews - Cat Cohen / Lachlan Werner /...

Cat Cohen, Pleasance Courtyard ...

Album: Adrian Sherwood - The Collapse of Everything

UK dub maestro and producer, Adrian Sherwood is hardly what...

Oslo Stories Trilogy: Love review - freed love

Love was the Norwegian climax of Dag Johan Haugerud’s Oslo trilogy, the most lovestruck vision of his city and boldest prophesy of how to...

Music Reissues Weekly: The Residents - American Composer...

George & James was originally released in March 1984. Stars & Hank Forever! emerged in October 1986. The two LPs were...

Frang, Romaniw, Liverman, LSO, Pappano, Edinburgh Internatio...

Right from the bracing brass fanfare that began this Sea Symphony, you know exactly where you were: right in the midst of the deck, with...

Edinburgh Fringe 2025 reviews: Ordinary Decent Criminal / In...

Ordinary Decent Criminal, Summerhall ...