Classical Reviews
Classical CDs Weekly: Bach, Melton Tuba Quartett, OperaBabesSaturday, 09 June 2012
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Amsterdam Baroque Orchestra, Koopman, Christ Church SpitalfieldsSaturday, 09 June 2012
It’s one thing for UK Border Control to turn Heathrow’s Arrivals into a giant theme-park queue, but it’s quite another when they start messing with our music. Paperwork issues yesterday saw one Japanese and two Korean members of the Amsterdam Baroque Orchestra denied entry to the UK, leaving Ton Koopman and his band too under-staffed to attempt their planned Brandenburg Concerto. Read more... |
Murray Perahia, Barbican HallFriday, 08 June 2012
What an era for pianists it was in the four decades from 1800 to 1840, the era covered by Murray Perahia’s recital last night. Beethoven, Schumann, Schubert and Chopin all in full verdant flight, selected for a programme of much fantasy and dancing rhythms, in which the translucent, crystalline playing of the American found and told multiple stories. Read more... |
Classical CDs Weekly: Michael Finnissy, Joel Frederiksen, Tine Thing HelsethSaturday, 02 June 2012
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London Symphony Orchestra, Tilson Thomas, Barbican HallFriday, 01 June 2012
Right, notebooks out everyone. Michael Tilson Thomas began this Berg/Mahler double-header with a lengthy analysis of what we were about to hear in the former’s Chamber Concerto. Whether it was informative or not (and it was), it was a bit of a spoiler. It was nice to know exactly which themes are attributed to which dedicatee, but you couldn’t help but feel the surprises in the work have been somewhat spiked by this little lecture. Read more... |
Knussen Sixtieth Birthday, CBSO Centre, BirminghamSaturday, 26 May 2012
Ask any young composer in this country who is the most important figure in modern British music, and the answer is likely to come back quick and sharp: Oliver Knussen. Read more... |
Classical CDs Weekly: Massenet, David Russell, WeinbergSaturday, 26 May 2012
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Delius: Composer, Lover, Enigma, BBC FourSaturday, 26 May 2012
Serious programmes about classical music are now virtually invisible on the major channels. There’s always BBC Two’s Maestro at the Opera, I hear you shout. Or something with that nice Gareth Malone. A good selection of Proms will be shown live on BBC Four, but with luck will scrupulously avoid the witless interviews with celebs in lieu of proper interval talks... Read more... |
Jessye Norman, Royal Festival HallTuesday, 22 May 2012
There comes a point in almost every great soprano’s career when she tells the world that Tosca, the Marschallin or Isolde be damned: what she wanted to sing all along was The Great American Songbook. This announcement tends to be made - how shall I put this? - later rather than sooner. In Jessye Norman’s defence, in 1987, just five years after her landmark, ultra-luscious recording of Strauss’s Four Last Songs, she recorded a disc of Gershwin, Richard Rodgers et al. Read more... |
Royal Concertgebouw Orchestra, Haitink, Barbican HallMonday, 21 May 2012
The last night Haitink conducted at the Royal Opera House as musical director the staff wheeled on a moped as a leaving present. Ever since, his conducting has been inextricably linked to that mode of transport in my head. With Haitink, music-making has always seemed to be about getting from A to B in the most dependable, unfussy and often uninspiring way possible. For years, I haven't been able to see the point of him at all. Read more... |
Bach: Brandenburg Concertos, Sinfonias Orchestra of the Antipodes/Antony Walker, Anna MacDonald, Erin Helyard (ABC Classics)
Michael Finnissy: Second & Third String Quartets Kreutzer Quartet (NMC)
Massenet: Werther Rolando Villazón, Sophie Koch, Orchestra of the Royal Opera House/Antonio Pappano (DG)Pages
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