tue 06/05/2025

stephen walsh

Bio
Stephen is a former Observer music critic and a regular contributor to The Times, Daily Telegraph, Financial Times, Independent and the BBC. He is the author of a major biography of Stravinsky and other books on Stravinsky, Bartók and Schumann. He holds a chair in music at Cardiff University.

Articles By Stephen Walsh

Peter Grimes, Welsh National Opera review - febrile energy and rage

Read more...

Uproar, Rafferty, Royal Welsh College, Cardiff review - colourful new inventions inspired by Ligeti

Read more...

The Marriage of Figaro, Welsh National Opera review - no concessions and no holds barred

Read more...

Il trittico, Welsh National Opera review - welcome back (but not a good sign)

Read more...

Rigoletto, Welsh National Opera review - back to what they do best

Read more...

Il Trittico, Welsh National Opera review - another triumph for a hard-pressed company

Read more...

The Merry Widow, Glyndebourne review - fun and frolics in the Embassy

Read more...

Così fan tutte, Welsh National Opera review - relevance reduced to irrelevance

Read more...

Uproar, Rafferty, Royal Welsh College, Cardiff review - a rare spring in the new music step

Read more...

BBC National Orchestra of Wales, Martin, Hoddinott Hall, Cardiff review - a host of horns in the wild woods

Read more...

La Traviata, Welsh National Opera review - memorable revival, unforgettable lead

Read more...

Ainadamar, Welsh National Opera review - hits hard without breaking ground

Read more...

The Pilgrim's Progress, Three Choirs Festival review - revelatory performance by young musicians

Read more...

theartsdesk at The Three Choirs Festival - Elgar, Vaughan Williams and Hammond

Read more...

The Bartered Bride, Garsington Opera review - brilliant revival of a comedy of cruelty

Read more...

Candide, Welsh National Opera review - vaut le voyage, just for the visual side

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Malpractice, ITV1, Series 2 review - fear and loathing in th...

Following on from the first series of Malpractice in 2023, this second season again probes into issues of medical malfeasance and...

Blu-ray: Laurel & Hardy - The Silent Years (1928)

Eureka’s second volume of Laurel and Hardy shorts catches the pair in 1928 on the cusp of their successful...

First Person: young cellist Zlatomir Fung on operatic fantas...

My new album, Fantasies, recorded with pianist Richard Fu, is the culmination of my years-long fascination with the wonderful genre of...

Romeo and Juliet, Shakespeare's Globe - swagger and viv...

Holsters, Stetsons and bluegrass music bring a distinctive flavour to this...

Two to One review - bank heist with a big catch

The Ealing-like comedy heist caper Two to One is...

Album: Arcade Fire - Pink Elephant

20 years on from their first appearance on record, the seventh long-player from...

Fake, ITV1 review - be careful what you wish for

The art of the conman is persuading their victim to fool themselves, which is the premise that lies at the core of this Australian drama series....

theartsdesk Q&A: film director Déa Kulumbegashvili on he...

One of the most exciting new voices in Eastern European film, Déa Kulumbegashvili is not concerned with conventional shot lengths. She has been...

Music Reissues Weekly: John McKay - Sixes and Sevens

Sixes and Sevens is a surprise. A big one. Since leaving Siouxsie and the Banshees in September 1979, John McKay has...