tue 05/08/2025
Home > users

stephen walsh

Bio
Stephen is a former Observer music critic and a regular contributor to The Times, Daily Telegraph, Financial Times, Independent and the BBC. He is the author of a major biography of Stravinsky and other books on Stravinsky, Bartók and Schumann. He holds a chair in music at Cardiff University.

Articles By Stephen Walsh

Madama Butterfly, Glyndebourne review - perverse staging, outstanding cast

Sunday, 20 May 2018 Read more...

BBC NOW, Alexandre Bloch, Hoddinott Hall, Cardiff review - tonal music in an avant-garde sense

Saturday, 12 May 2018 Read more...

Stephen Walsh's Debussy - A Painter in Sound - extract

Monday, 05 March 2018 Read more...

Tosca, Welsh National Opera review - ticking the traditionalist boxes

Saturday, 10 February 2018 Read more...

La forza del destino, Welsh National Opera review - rambling drama, fine music

Saturday, 03 February 2018 Read more...

The World's Wife, Wales Millennium Centre, Weston Studio review - the power and frustration behind the throne

Monday, 16 October 2017 Read more...

From the House of the Dead, Welsh National Opera review - elderly staging, music comes up fresh

Monday, 09 October 2017 Read more...

Khovanshchina/Eugene Onegin, Welsh National Opera review - Russian revivals strong and weak

Monday, 02 October 2017 Read more...

The Magic Flute, Longborough Festival review - sparkling and moving

Friday, 14 July 2017 Read more...

Fidelio, Longborough Festival review - death to the concept of concepts

Monday, 26 June 2017 Read more...

Pelléas et Mélisande, Garsington Opera review - brilliant but frustrating

Saturday, 17 June 2017 Read more...

Der Rosenkavalier, Welsh National Opera review - hard to imagine a stronger cast

Tuesday, 13 June 2017 Read more...

Tristan und Isolde, Longborough Festival

Friday, 09 June 2017 Read more...

L'Orfeo, EBS, Gardiner, Colston Hall, Bristol

Monday, 29 May 2017 Read more...

Y Tŵr, MTW, Sherman Theatre, Cardiff

Saturday, 20 May 2017 Read more...

L'Incoronazione di Poppea, EBS, Gardiner, Colston Hall, Bristol

Tuesday, 09 May 2017 Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Oslo Stories Trilogy: Dreams review - love lessons

Rising temperatures, prickling skin, longing’s all-consuming ache: first love’s swooning symptoms overtake 17-year-old Johanne (Ella Øverbye) in...

Káťa Kabanová, Glyndebourne review - emotional concentration...

Even more perhaps than straight theatre, opera seems to draw attention to the meaning behind what may on the face of it appear a simple story....

The Count of Monte Cristo, U&Drama review - silly telly...

Alexandre Dumas’ novel has been filmed an immeasurable number of times (there was a new French version only last year) and...

theartsdesk Q&A: filmmaker Dag Johan Haugerud on sex, lo...

"First love is always both terrible and wonderful at the same time", says the 60-year-Norwegian dramatist-novelist-director...

Edinburgh Fringe 2025 reviews: Lost Lear / Consumed

Lost Lear, Traverse Theatre ★★★...

Edinburgh Fringe 2025 reviews - Alison Spittle / Christopher...

Alison Spittle, Monkey Barrel ★★★

Alison Spittle is fat, she tells us at the top of the show. But not as...

Blu-ray: Two Way Stretch / Heavens Above

The years between 1955’s The Ladykillers and 1964’s Dr Strangelove were the years of what Sanjeev Bhaskar recently described as...

Make It Happen, Edinburgh International Festival 2025 review...

You could distinctly hear the murmurs of recognition from the Edinburgh audience – responding to knowing mentions of the city’s Leith and...

Folkestone Triennial 2025 - landscape, seascape, art lovers...

A rare cloud form envelopes the headland and to the east and the west Folkestone is cut off from the known world. This mist shortens...