sun 31/08/2025

Classical Interviews

Interview: Quinteto Astor Piazzolla on playing in London and why Mick Jagger's a fan

Rachel Halliburton

“I still can’t believe that some pseudo-critics continue to accuse me of having murdered tango,” Astor Piazzolla once declared. “They have it backward. They should look at me as the saviour of tango. I performed plastic surgery on it.”

Read more...

theartsdesk Q&A: young pianist Ignas Maknickas on appearing at the Roman River Festival and beyond

Rachel Halliburton

The high level of entries for this year’s Leeds Piano Competition – 366, almost twice the number who entered in 2018 – is just one reminder that any young pianist wanting to make their name today is negotiating shark-infested waters. Technical excellence is a given – if you want to make a living, you need to have something extra to win the support of concert halls and critics.

Read more...

theartsdesk Q&A: conductor Dalia Stasevska on her new album of contemporary orchestral music

Bernard Hughes

Dalia Stasevska is a persuasive advocate for new music, as presented on her new album Dalia’s Mixtape. She combines a puppyish enthusiasm with a salesman’s eloquence – beneath which sits a steely self-confidence in her own artistic vision. The Mixtape is a collaboration between Stasevska, the BBC Symphony Orchestra (of which she is Principal Guest Conductor) and Platoon, an artist-led label that is part of the Apple Music family.

Read more...

theartsdesk Q&A: violinist Braimah and cellist Sheku Kanneh-Mason, guitarist Plínio Fernandes, on their two Fantasia Proms

David Nice

It seems like only yesterday – the date in fact was 22 December 2016 – that 17-year-old Sheku Kanneh-Mason, fresh from his win as BBC Young Musician of the Year, played the Haydn C major Cello Concerto in a Pimlico church with a group of young players known collectively as the Fantasia Orchestra and conducted by Tom Fetherstonhaugh (Sibelius’s Second Symphony followed).

Read more...

Composer and conductor Carl Davis, 1936-2023

graham Rickson

May 2021 should have seen the appearance on Netflix of a new restoration of Abel Gance’s silent epic Napoleon, lasting nearly seven hours and timed to coincide with the 200th anniversary of Napoleon’s death. The release was delayed, but, in anticipation, theartsdesk spoke to the composer and conductor Carl Davis, who has died aged 86.

Read more...

theartsdesk Q&A: Abel Selaocoe

Tim Cumming

South-African cellist Abel Selaocoe is about to begin his third major concert in London in under a year. As the support artist for kora player Ballake Sissoko and cellist Vincent Segal at the Roundhouse in January, he received a lengthy ovation for his 30 minute set, having demonstrated an uncanny ability to play the audience as dexterously as he plays his cello.

Read more...

theartsdesk Q&A: Horn player Sarah Willis on returning to Cuba

graham Rickson

Berlin Philharmonic Horn player Sarah Willis’s Mozart y Mambo caused a stir in 2020, its mixture of Mozart and traditional Cuban music making it a bestselling crossover disc.

Read more...

theartsdesk Q&A: conductor Klaus Mäkelä

David Nice

Let the facts – and the music-making you can see and hear online – speak for themselves first.

Read more...

theartsdesk Q&A: horn player Sarah Willis

graham Rickson

Horn player Sarah Willis joined the Berlin Philharmonic in 2001. She juggles her position with spells of teaching, interviewing soloists and conductors for the Berlin Philharmonic's Digital Concert Hall and hosting an online series of Horn Hangouts, interviews with musicians streamed live on her website and archived on YouTube.

Read more...

theartsdesk Q&A: Conductor Olari Elts in Tallinn

David Nice

Arriving in Tallinn hotfoot from Paavo Järvi's inaugural concert as chief conductor of Zurich's Tonhalle Orchestra, and expecting the limelight to belong to composer Erkki-Sven Tüür on his 60th birthday, I found another Estonian bonus in store.

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
BBC Proms: Alexander’s Feast, Irish Baroque Orchestra, Whela...

Many Londoners would already have experienced the musicality incarnate of Peter Whelan and his Irish Baroque Orchestra. A smaller ensemble rocked...

Music Reissues Weekly: The Outer Limits - Just One More Chan...

The Outer Limits were from Leeds. Active over 1965 to 1968, the...

BBC Proms: Moore, LSO, Bancroft review - the freshness of mo...

11am concerts do take some getting used to. The BBC Proms season has no fewer than...

Willis-Sørensen, Ukrainian Freedom Orchestra, Wilson, Cadoga...

This week Vladimir Putin tried to murder my hosts in Ukraine. He failed. In more hopeful days, I spoke at a seminar organised by the British...

Interview, Riverside Studios review - old media vs new in sp...

The cult film that director Theo van Gogh left behind when he was killed in 2004, Interview, has already been remade twice;...

theartsdesk Radio Show 37 - Pete Lawrence of the Big Chill d...

This edition of Peter Culshaw’s peripatetic...

Album: Sabrina Carpenter - Man's Best Friend

Following the success of 2024’s flirtatious Short n’ Sweet, Sabrina Carpenter has fully committed to her pin-up popstar status with ...

theartsdesk Q&A: Suranne Jones on 'Hostage', p...

If she decided to run for election, Suranne Jones would probably stand a good chance of winning. The Chadderton-born actress and...

Little Trouble Girls review - masterful debut breathes new l...

Taking its title from a Sonic Youth track whose lyrics describe someone who seems good on the outside but is bad inside, this debut...