Classical Interviews

10 Questions for Conductor Sir John Eliot Gardiner

Peter Quantrill Sunday, 16 October 2016

The Lobgesang "lies very near my heart," wrote Mendelssohn. And the composer was so self-critical that the published order of his symphonies bears no resemblance to their composition: this "Hymn of Praise", known as the Second, was the penultimate before his symphonic masterpiece, the "Scottish". It is more often performed in recording studios, to satisfy recording companies’ hunger for complete cycles, than in concert, at least outside the composer’s native Germany.

10 Questions for Conductor Thomas Dausgaard

David Kettle Thursday, 29 September 2016

One of two Danish Thomases at the head of BBC bands (compatriot Thomas Søndergård is at the helm of the BBC National Orchestra of Wales), Thomas Dausgaard joins the Glasgow-based BBC Scottish Symphony Orchestra as chief conductor this season.

theartsdesk Q&A: Violinist and Conductor Nikolaj Znaider

David Nice Sunday, 08 May 2016

Unquestionably one of the greats as a performer, Danish-Israeli violinist and conductor Nikolaj Znaider divides opinion over his forthright views in interview: either honourable and refreshingly candid, or troublingly indiscreet. After an hour and a half with him between the two finals of the Carl Nielsen International Violin Competition in Odense, I plump fervently for the former.

Q&A Special: Sir Mark Elder on Dvořák

Jasper Rees Sunday, 01 May 2016

This May the Hallé is celebrating Dvořák. The orchestra’s music director Sir Mark Elder has previously mounted a festival of the Czech composer’s work in Chicago, but now brings him home to Manchester. Nature, Life and Love features seven concerts in under three weeks, and will obviously feature an outing for the big symphonies, nos 7, 8 and 9, and the hugely popular cello concerto. But it’s not just about the headlines of Dvořák’s music.

theartsdesk Q&A: Pianist Boris Giltburg

David Nice Sunday, 28 February 2016

London has been missing out on Boris Giltburg for too long. He's been playing Shostakovich concertos back to back with Petrenko in Liverpool, and the big Rachmaninov works up in Scotland (see theartsdesk's review today of the latest Royal Scottish National Orchestra programme).

theartsdesk Q&A: Composer Pierre Boulez

Igor Toronyi-Lalic Thursday, 07 January 2016

David Nice writes: it hardly seemed possible, but a pivotal figure in the 20th century music scene has died, two months short of his 91st birthday. As composer, Boulez now seems not so much a game-changer as a constant innovator in one of many strands among the possibilities of contemporary music. He even admitted in an Edinburgh Festival interview that he and his colleagues may have underestimated the role played by the audience in absorbing his avant-gardism.

Comment

Jaap van Zweden: ‘A great orchestra needs to be a chameleon’

Gavin Dixon Sunday, 13 December 2015

Jaap van Zweden is going places. At 55, he is already 16 years into a second high-profile musical career. His first, as a violinist, saw him appointed leader of the Concertgebouw, the youngest ever to hold the position. From there, he moved to the conductor’s podium, and is now Music Director of the Dallas Symphony and the Hong Kong Philharmonic. According to some rumours, he is also under serious consideration for the New York Philharmonic.

We Made It: Concert hall acoustics

David Kettle Sunday, 29 November 2015

Glasgow has a brand new concert hall, and the Royal Scottish National Orchestra has a brand new home. A move for the Orchestra from Henry Wood Hall, a converted church in the city’s West End it has occupied since 1979, has been on the cards for several years, but few could have predicted the scale and intricacy of the final project.

10 Questions for Composer Ludovico Einaudi

Adam Sweeting Monday, 23 November 2015

Last month, Ludovico Einaudi's album Elements debuted at No 12 on the UK album charts, which made it the highest-charting modern classical album since Henryk Górecki's Symphony of Sorrowful Songs reached No 6 in 1992. It was proof of the quietly burgeoning allure of Einaudi, which has been stealthily expanding around the world since his first solo release, 1988's Time Out.

theartsdesk Q&A: Soprano Elizabeth Watts

David Nice Sunday, 08 November 2015

Not many people write conspicuously brilliant tweets, but Elizabeth Watts is someone who does. Working on the most demanding aria on her stunning new CD of operatic numbers and cantatas by the lesser-known of the two Scarlattis, father Alessandro rather than son Domenico, she tweeted: “Good news – I can sing 88 notes without a breath. Bad news – Scarlatti wrote 89.”