wed 06/08/2025

David Benedict

Articles By David Benedict

Proms at...Cadogan Hall 7, Giunta, Sikich, review - dazzlement in Bernstein and beyond

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Prom 34, Matthews, BBC Philharmonic, Mena - Anglo-American mixed bag

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Proms at...Cadogan Hall 4, Connolly, Middleton review - perfect partnering in the unfamiliar

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Box office poison? Joan Crawford at BFI Southbank

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Tenebrae, Short, St John’s Smith Square review - choral majesty in New World marvels

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My Name is Lucy Barton, Bridge Theatre review - Laura Linney is luminous in a flawless production

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Consent, Harold Pinter Theatre review - exhilarating

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The Inheritance, Young Vic review - a long day’s journey into light

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A Midsummer Night's Dream, ENO review - shiveringly beautiful Britten

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'Why we understand each other': Peter Gill on The York Realist

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Lady Windermere's Fan, Vaudeville Theatre review - Wilde abandoned

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Pinocchio, National Theatre review - boy puppet lifts off, eventually

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Against the Law, BBC Two review - uplifting and deeply moving

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10 Questions for actress Tracy-Ann Oberman: 'it's made me pretty fearless'

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The Wind in the Willows, London Palladium review - an effortful slog

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On the Town review - triple threat Danny Mac and co are unmissable

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'We are bowled over!' Thank you for your messages... ...
Weilerstein, NYO2, Payare / Dueñas, Malofeev, Edinburgh Inte...

NYO2 is a group of dazzlingly talented (and terrifyingly young-looking) 14-17 year olds from the USA, one of Carnegie Hall’s three national youth...

Edinburgh Fringe 2025 reviews - Monstering the Rocketman by...

Monstering the Rocketman by Henry Naylor, Pleasance Dome ★...

theartsdesk Q&A: filmmaker Dag Johan Haugerud on sex, lo...

"First love is always both terrible and wonderful at the same time", says the 60-year-Norwegian dramatist-novelist-director...

Oslo Stories Trilogy: Dreams review - love lessons

Rising temperatures, prickling skin, longing’s all-consuming ache: first love’s swooning symptoms overtake 17-year-old Johanne (Ella Øverbye) in...

Album: Black Honey - Soak

The default setting for Brighton indie quartet Black Honey...

Káťa Kabanová, Glyndebourne review - emotional concentration...

Even more perhaps than straight theatre, opera seems to draw attention to the meaning behind what may on the face of it appear a simple story....

The Count of Monte Cristo, U&Drama review - silly telly...

Alexandre Dumas’ novel has been filmed an immeasurable number of times (there was a new French version only last year) and...

Edinburgh Fringe 2025 reviews: Lost Lear / Consumed

Lost Lear, Traverse Theatre ...

Edinburgh Fringe 2025 reviews - Alison Spittle / Christopher...

Alison Spittle, Monkey Barrel ★★★

Alison Spittle is fat, she tells us at the top of the show. But not as...