Classical Reviews
Mutter, London Symphony Orchestra, Gergiev, Barbican HallMonday, 28 November 2011
Praise be, or slava if you prefer, to Valery Gergiev for honouring new Russian music alongside his hallmark interpretations - ever evolving or dangerously volatile according to taste – of Prokofiev, Shostakovich and Stravinsky. Last LSO season featured some of the less than inspired recent works Rodion Shchedrin has been dredging by the yard. Yet few would begrudge the palm of deep and original musical thought to this past week’s heroine, Sofia Gubaidulina. Read more... |
Classical CDs Weekly: Bach, Beethoven, Simon KeenlysideSaturday, 26 November 2011
Bach: Complete Keyboard Works Ivo Janssen (Void Classics) Read more... |
Anne Teresa De Keersmaeker & Jérôme Bel, 3Abschied, Sadler’s WellsTuesday, 22 November 2011
When the subject of funding for the arts arises, the phrase “allowed to fail” is frequently heard: artists must be enabled to try new things, press against the outer edges of what they know. Enter Anne Teresa De Keersmaeker and Jérôme Bel, two of contemporary dance’s thinkers. They have tried, and failed, to choreograph the final section of Mahler’s Das Lied von der Erde, and in that attempt, they have produced an extraordinary evening: the anatomy of a failure. Read more... |
Classical CDs Weekly: Mathias, Sibelius, Duo GazzanaSaturday, 19 November 2011
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Jansen, London Philharmonic, Vänskä, Royal Festival HallThursday, 17 November 2011
Noticed that nip in the air recently? The reason now is obvious: conductor Osmo Vänskä, the brisk wind from Minnesota, has blown into town, challenging London’s orchestral musicians to give beyond their best and uncover new layers in repertory works they previously assumed they knew backwards. |
Rysanov, BBC Symphony Orchestra, Bělohlávek, Barbican HallFriday, 11 November 2011
When telling a complex musical story, handle with care. Interpreters need have no fear of composers who find selective, tone-friendly angles in their literary sources, like Janáček with Gogol’s Taras Bulba in last night’s searing finale, or Zemlinsky with Andersen’s The Little Mermaid, the saturated climax of the previous evening. Read more... |
Orchestre Révolutionnaire et Romantique, Gardiner, Queen Elizabeth HallThursday, 10 November 2011
We all know the question at issue last night at the Young Vic where Hamlet was opening, but down the road in the Queen Elizabeth Hall it was one of applause. Clapping between movements is a well-worn topic; we’ve had editorial, essays, even an RPS lecture devoted to the subject with no resolution in sight. Every year the Proms reminds us of the natural release a good clap can provide after a monumental first movement, and every year we return to our hands-clenched ways afterwards.... Read more... |
Davies, London Symphony Orchestra, Zhang, Barbican HallThursday, 10 November 2011
Highly finished literary tales of doomed nixies, like Hans Christian Andersen's The Little Mermaid, seem to have prompted reams of bad art but plenty of mellifluous music. Not even all of that is on the same level. Read more... |
Classical CDs Weekly: Fauré, Mahler, Choir of Merton CollegeSaturday, 05 November 2011
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Jeanne d'Arc au Bûcher, London Symphony Orchestra, Alsop, Barbican HallSaturday, 05 November 2011
Honegger's gaudy 1935 meditation on the life of Joan of Arc - which we witnessed in concert last night at the Barbican - is an untidy flea market of meretricious musical ideas. The work's only value lies in it being able to make one understand why the likes of Pierre Boulez felt forced to make their postwar musical revolutions so sweeping and so violent. |
William Mathias: Piano Concertos 1 & 2; Vaughan Williams: Fantasy for Piano and Orchestra Mark Bebbington (piano) Ulster Orchestra/George Vass (Somm)
Fauré: Requiem Chœur de l’Orchestre de Paris, Orchestre de Paris, Paavo Järvi, with Philippe Jaroussky (counter tenor), Matthias Goerne (baritone) (Virgin Classics)Pages
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