Classical Reviews
Coote, Vinke, Philharmonia, Maazel, Royal Festival HallFriday, 30 September 2011![]()
It was bound, in vocal terms, to be a case of Beauty and the Beast. Stefan Vinke, though useful for killer heroic-tenor parts like this one in Mahler’s Song of the Earth, has made some of the ugliest sounds I’ve heard over the past few seasons, ineffable mezzo Alice Coote many of the loveliest, and with great communication, too. Read more... |
Mahler 2, BBCPO, Mena, Bridgewater Hall, ManchesterSunday, 25 September 2011
After producing an overwhelming performance of Mahler’s colossal Second Symphony, rewarded by a 10-minute standing ovation from a packed house, the new chief conductor of the BBC Philharmonic could not be accused of easing himself into the job. One might have thought that Juanjo Mena (pronounced Huanho Mayna, being Basque) might have started off with a splash of Spanish colour, with Rodrigo and De Falla, which must be in his blood. But no, although that will come in his next concert. Read more... |
Classical CDs Weekly: Bach, Varèse, GiuliniSaturday, 24 September 2011![]()
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Schubert Recital 2, Christian Gerhaher, Gerold Huber, Wigmore HallFriday, 23 September 2011![]()
Some great singers know how to modulate their beautiful instruments for long vocal life; others push technique and expression to the limits in countless concerts of a lifetime before burnout. Baritone Christian Gerhaher, it seems, belongs to the beautiful and the secure. Read more... |
Leiferkus, LPO, Jurowski, Royal Festival HallThursday, 22 September 2011
How odd that Musorgsky, a composer sanctified beyond his very individual deserts for making social statements in his art, should be feted by an orchestra, or rather an orchestral management, which says music and politics don't mix. Read more... |
Christian Gerhaher, Gerold Huber, Wigmore HallWednesday, 21 September 2011![]()
The queues weren't quite Proms-sized but they were long enough for the little old Wigmore Hall to seem more than a little overwhelmed. Expectations were immense. The past year has seen baritone Christian Gerhaher cast a singular spell over London audience, through his introduction of a touch of intense Lieder-style intimacy to the orchestral and operatic stages. |
St Matthew Passion, National TheatreTuesday, 20 September 2011![]()
It’s not like we’re short of operas. Thousands of works spanning over 400 years make up the western operatic repertoire. Of these maybe 100 get a regular airing in contemporary opera houses, with only about 20 making it into the popular consciousness. For the rest, a trip outside the archives is rare indeed, with many scores still vainly awaiting their “modern premiere”. Read more... |
The Last Night of the Proms, Bullock, Lang Lang, BBCSO, GardnerSunday, 11 September 2011![]()
Stately females sailed the corridors like grand multicoloured liners. Grown men in boaters and Union Jack waistcoats raced balloons to the Royal Albert Hall ceiling. Beachballs. Streamers. Flags. Fancy dress. One St George's Cross read "Votes for Women!" My first thoughts were: how lovely, in a way, that the mentally ill are allowed a day out like this. Read more... |
Classical CDs Weekly: Bridge, Mahler, Ksenija SidorovaFriday, 09 September 2011![]()
This week there's another new Mahler symphony recording, along with some disquieting British piano music and an enjoyable disc of originals and transcriptions played by a young Baltic accordionist. Read more... |
BBC Proms: Jansen, Philadelphia Orchestra, DutoitFriday, 09 September 2011![]()
After filing for bankruptcy earlier this year, the Philadelphia Orchestra seemed poised to be the flagship cultural casualty of the financial crisis. Five months on and the bills continue to rise, but in the best Titanic tradition the band are determinedly playing on. It’s been five years since we last heard them at the Proms and their return last night under Chief Conductor Charles Dutoit saw a capacity crowd turn out to show their support and to hear the glossy music-making for which this... Read more... |
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