Visual Arts Reviews
Painters' Paintings, National GallerySunday, 26 June 2016![]()
The huge and gorgeous Titian, The Vendramin Family, c.1540-c.1560, displays a frieze of males of all ages, three or four generations – and an adorable lap dog held close by the youngest boy – in marvellously sumptuous costume. The painting is surrounded with portraits by an ardent admirer of Titian's, Anthony van Dyck, our interest in the Titian deepened by the fact that Van Dyck once owned it. Read more... |
The Switch House, Tate ModernFriday, 17 June 2016![]()
Here comes the Switch House. The 10-story new build attached to the Gilbert Scott Bankside power station that was the first instalment of Tate Modern in 2000 opened to the public this weekend. Tate Modern’s expansion became almost a necessity as the original estimate of two million annual visitors became five million. Read more... |
Whitstable Biennale 2016Thursday, 09 June 2016![]()
As if to signal a coming of age, this year's Whitstable Biennale has a theme: The Faraway Nearby. And so for the first time artists have a guiding idea with which to post-rationalise their work. Until now, the 10-day festival of visual art has staked out broad territory with performance, film and emerging talent. Read more... |
Yayoi Kusama, Victoria MiroTuesday, 07 June 2016![]()
Pure euphoria! The lady, a mere 87, her stature diminutive, her hair and lipstick a blazing scarlet, is a painter, but also a draughtsman, a sculptor, a creator of environments and installations, a performer, a designer of objects and clothing (affordable too at UniQlo) an illustrator, a writer, a poet, and an all-round polymath. Kusama has lived by choice for nearly 40 years in a psychiatric hospital in her native Japan, working indefatigably. Read more... |
Found, The Foundling MuseumFriday, 03 June 2016![]()
Cornelia Parker invited over 60 fellow artists to join her in exhibiting at the Foundling Museum in London. Titled Found, the show spills out from the basement gallery to infiltrate every room in the building and remind us that, when the Foundling Hospital was set up as a charity for destitute children in 1739, artists made an important contribution. Read more... |
Venice Architecture Biennale 2016Tuesday, 31 May 2016![]()
Arts festivals the size of the Venice Biennale are inevitably patchy. The appointed directors are hardly ever given enough time to curate and fill absolutely vast volumes of space. They can exhort the many national and individual participants to follow their lead, and yet they have no editorial control over them. Read more... |
theartsdesk in Bilbao: The School of Paris at the Guggenheim MuseumSunday, 29 May 2016![]()
Painted during his first trip to Paris in 1900, Picasso’s Le Moulin de la Galette is an outsider’s view of an exotic and intimidating new world. Men and women are seen as if through some strange distorting lens, their blurred, mask-like faces indistinct but for red-slit mouths and coal-black eyes. We seem to be in the room with them, and yet we are isolated. Read more... |
Jeff Koons: Now, Newport Street GalleryThursday, 26 May 2016![]()
The second exhibition staged by Damien Hirst in his stunning Newport Street Gallery is of work from his collection by the American artist, Jeff Koons. Hirst was still a student at Goldsmiths when, in 1987, Charles Saatchi showed Koons and other young Americans at his gallery in St John’s Wood. Hirst was blown away by the freshness and ambition of work that took Warhol’s love affair with consumer culture one stage further. Read more... |
Sunken Cities: Egypt's lost worlds rediscoveredTuesday, 24 May 2016![]()
In a gallery darkened to evoke the seabed that was its resting place for over a thousand years, the colossal figure of Hapy, the Egyptian god of the Nile flood, greets visitors just as it met sailors entering the busy trading port of Thonis-Heracleion some 2,000 years ago. Read more... |
Grayson Perry: All Man, Channel 4Friday, 20 May 2016![]()
You are a massive cock. A gigantic tool. You are a monumental prick. Grayson Perry did not mince his message as he concluded his portrait of modern maleness with a tour of the City of London. At the end of each programme he has presented the subjects of his study with an artistic response to their world. Read more... |
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