Florence Hallett

Bio

Florence writes about the visual arts for a range of specialist and general interest publications.

Articles By Florence Hallett

Unravel: The Power and Politics of Textiles in Art, Barbican review - the fabric of dissent Thursday, 15 February 2024 Read more...	The Courtauld Gallery - the old place, just better Thursday, 02 December 2021 Read more...
Helen Frankenthaler: Radical Beauty, Dulwich Picture Gallery review - adventures in print Friday, 17 September 2021 Read more...	The Making of Rodin, Tate Modern review - surrealist tendencies Saturday, 05 June 2021 Read more...
Turner's Modern World, Tate Britain review - the universal artist Thursday, 13 May 2021 Read more...	This is a Robbery: The World's Biggest Art Heist, Netflix - the last word (for now) Thursday, 08 April 2021 Read more...
Prix Pictet: Confinement review - a year in photographs Thursday, 18 March 2021 Read more...	Artemisia, National Gallery review - worth the wait Monday, 05 October 2020 Read more...
My Rembrandt review - hard cash and hubris Saturday, 15 August 2020 Read more...	Khadija Saye: In This Space We Breathe, 236 Westbourne Grove review - a celebrated series finds new resonance Tuesday, 21 July 2020 Read more...
The Golden Age of Modern Spanish Art, Colnaghi review - the sun shines in the City of Light Friday, 10 July 2020 Read more...	Celia Paul: My Studio, Victoria Miro review - sublime isolation Wednesday, 01 July 2020 Read more...
Shirley Baker: A Different Age, James Hyman Gallery review - the old at leisure Monday, 22 June 2020 Read more...	Explore Soane review - the museum restored and in 3D Monday, 15 June 2020 Read more...
Visual Arts Lockdown Special 4: sculpting like Rodin, watching artists, and more Wednesday, 10 June 2020 Read more...	Christo (1935-2020) - 'Beauty, science and art will always triumph' Wednesday, 03 June 2020 Read more...

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'We are bowled over!' Thank you for your messages... ...

Cho, LSO, Pappano, Barbican review - finely-focused stormy w...

It was a hefty evening, as it needn't necessarily have been throughout, since Shostakovich’s Ninth Symphony can conceal more darkness between the...

Dracula, Lyric Hammersmith review - hit-and-miss recasting o...

If a classic story is going to be told for the umpteenth time, there is a good bet it will come with a novel spin on it. So it proves...

The Code, Southwark Playhouse Elephant review - superbly cas...

Hot on the heels of Goodnight, Oscar comes another fictional meeting of real entertainment giants in Los Angeles, this time...

Can I get a Witness? review - time to die before you get old

Some time in the not too distant future, there are only two films on offer: Duck Soup, and, if you order the DVD in advance, ...

Reunion, Kiln Theatre review - a stormy night in every sense...
If you ever wanted to know what a mash up of Martin McDonagh and Conor McPherson, stirred (and there’s a lot of stirring in this...

The Lady from the Sea, Bridge Theatre review - flashes of br...
Like the lighting that crackles now and again to indicate an abrupt change of scene or mood, Simon Stone's version of The Lady from...

How to be a Dancer in 72,000 Easy Lessons, Teaċ Daṁsa review...
Anyone who has followed the trajectory of choreographer-director Michael Keegan-Dolan and his West Kerry-based company Teaċ Daṁsa (House of...

Happyend review - the kids are never alright
Perhaps only in Japan might it be thought the height of delinquency for a bunch of schoolkids is to spend the night sneaking back to school,...

Romans: A Novel, Almeida Theatre review - a uniquely extraor...
OMG! I mean OMG doubled!! This is amazing! Or is it? Can Alice Birch’s Romans: A Novel at the...