Florence Hallett

Bio

Florence writes about the visual arts for a range of specialist and general interest publications.

Articles By Florence Hallett

Unravel: The Power and Politics of Textiles in Art, Barbican review - the fabric of dissent Thursday, 15 February 2024 Read more...	The Courtauld Gallery - the old place, just better Thursday, 02 December 2021 Read more...
Helen Frankenthaler: Radical Beauty, Dulwich Picture Gallery review - adventures in print Friday, 17 September 2021 Read more...	The Making of Rodin, Tate Modern review - surrealist tendencies Saturday, 05 June 2021 Read more...
Turner's Modern World, Tate Britain review - the universal artist Thursday, 13 May 2021 Read more...	This is a Robbery: The World's Biggest Art Heist, Netflix - the last word (for now) Thursday, 08 April 2021 Read more...
Prix Pictet: Confinement review - a year in photographs Thursday, 18 March 2021 Read more...	Artemisia, National Gallery review - worth the wait Monday, 05 October 2020 Read more...
My Rembrandt review - hard cash and hubris Saturday, 15 August 2020 Read more...	Khadija Saye: In This Space We Breathe, 236 Westbourne Grove review - a celebrated series finds new resonance Tuesday, 21 July 2020 Read more...
The Golden Age of Modern Spanish Art, Colnaghi review - the sun shines in the City of Light Friday, 10 July 2020 Read more...	Celia Paul: My Studio, Victoria Miro review - sublime isolation Wednesday, 01 July 2020 Read more...
Shirley Baker: A Different Age, James Hyman Gallery review - the old at leisure Monday, 22 June 2020 Read more...	Explore Soane review - the museum restored and in 3D Monday, 15 June 2020 Read more...
Visual Arts Lockdown Special 4: sculpting like Rodin, watching artists, and more Wednesday, 10 June 2020 Read more...	Christo (1935-2020) - 'Beauty, science and art will always triumph' Wednesday, 03 June 2020 Read more...

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The Midnight Bell, Sadler's Wells review - A first repr...

Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of...

Album: HAIM - I Quit

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...

Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

Ithell Colquhoun, Tate Britain review - revelations of a wei...

Tate Britain is currently offering two exhibitions...