thu 19/06/2025

Mark Sheerin

Articles By Mark Sheerin

Bradford City of Culture 2025 review - new magic conjured from past glories

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Echoes: Stone Circles, Community and Heritage, Stonehenge Visitor Centre review - young photographers explore ancient resonances

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Laura Aldridge / Andrew Sim, Jupiter Artland, Edinburgh review - lightness and joy

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Eye to Eye: Homage to Ernst Scheidegger, MASI Lugano review - era-defining artist portraits

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Jane Harris: Ellipse, Frac Nouvelle-Aquitaine MÉCA, Bordeaux review - ovals to the fore

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Carey Young: Appearance, Modern Art Oxford review - in the eyes of the law

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Earth Spells: Witches of the Anthropocene, RAMM, Exeter review - this local exhibition deserves a national audience

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In the Air, Wellcome Collection review - art in an emergency

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'Of course art doesn't change the world': Situationist artist Jacqueline de Jong on violence, eroticism and the importance of humour

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Karla Black, Fruitmarket, Edinburgh review - airy free-for-all

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Fetes and Kermesses in the Time of the Brueghels, Musée de Flandre review - all the fun of the fair

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10 Questions for Musician Soumik Datta

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diep~haven 2018 review - a missed connection?

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David Shrigley/Brett Goodroad, Brighton Festival review - showcases puncturing the medium's pretence

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Selma Parlour: Upright Animal, Pi Artworks review - incandescent colours

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theartsdesk in Antwerp: Richard Deacon says nothing

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latest in today

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The Midnight Bell, Sadler's Wells review - A first repr...

Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of...

Album: HAIM - I Quit

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...

Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...