Sebastian Scotney

Articles By Sebastian Scotney

Album: Ruby Turner – Love Was Here Wednesday, 22 January 2020 Read more...	theartsdesk in Brussels - jazz, openness and youth at the start of the cultural year Tuesday, 14 January 2020 Read more...
Albums of the Year 2019: Mark Turner Meets Gary Foster Thursday, 26 December 2019 Read more...	Robbie Williams, Wembley Arena review - 12,000 people having a bawl Tuesday, 17 December 2019 Read more...
Darius Brubeck, Jazz Café review – a touching celebration of 'Time Out' at 60 Monday, 16 December 2019 Read more...	Dido, Maida Vale Studios review - old hits bring unresolved irony Tuesday, 10 December 2019 Read more...
Rick Wakeman’s Grumpy Old Christmas Show, Cadogan Hall review – solo piano and Yuletide nostalgia Saturday, 07 December 2019 Read more...	Vinícius Cantuária, Eliane Elias, Barbican review - simply does it Saturday, 23 November 2019 Read more...
Herbie Hancock, Barbican EFG London Jazz Festival review – the musical chameleon is still searching at 79 Monday, 18 November 2019 Read more...	Ted Gioia: Music: A Subversive History review – an informative, giddying ride Sunday, 17 November 2019 Read more...
Miklós Perényi, Dénes Várjon, Wigmore Hall review – Beethoven in wonderfully safe hands Monday, 21 October 2019 Read more...	Bill Frisell's Harmony, Cadogan Hall review – superb Americana Wednesday, 16 October 2019 Read more...
Prom 71: Dunedin Consort, Butt review – Bach to the drawing-board please Thursday, 12 September 2019 Read more...	Bauhaus 100, BBC Four review - a well-made film about the makers Thursday, 22 August 2019 Read more...
Prom 30: The Warner Brothers Story, John Wilson Orchestra review – orchestral riches Saturday, 10 August 2019 Read more...	Nile Rodgers and Chic, Royal Festival Hall review – great band, shame about the sound Monday, 05 August 2019 Read more...

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Red Path review - the dead know everything

Here’s a film you might not feel like seeing. After all, Red Path tells of a 14-year-old in Tunisia who is forced to carry home the...

Album: Loyle Carner - Hopefully!

Loyle Carner’s Hopefully! is a luminous, deeply personal exploration of fatherhood, identity, and artistic reinvention, marking the South...

The Buccaneers, Apple TV+, Season 2 review - American advent...

Edith Wharton hadn’t finished her novel, The Buccaneers, when she died in 1937, but it was completed in 1993 by Marion Mainwaring. The...

The Midnight Bell, Sadler's Wells review - a first repr...

Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of...

Album: HAIM - I Quit

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...

Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...