Sebastian Scotney

Articles By Sebastian Scotney

Robert Gordon: Memphis Rent Party review - a fast-moving Mississippi anthology Sunday, 10 June 2018 Read more...	Matthias Goerne, Seong-Jin Cho, Wigmore Hall review - slow and slower Strauss Wednesday, 25 April 2018 Read more...
Gregory Porter, Royal Albert Hall review - impressive first night for the Nat King Cole & Me tour Tuesday, 03 April 2018 Read more...	Dialogues des Carmélites, Guildhall School review - calm and humane drama of faith Tuesday, 27 February 2018 Read more...
Joyce DiDonato and Brentano Quartet, Wigmore Hall - not enough variety Wednesday, 20 December 2017 Read more...	Jaron Lanier: Dawn of the New Everything review - pioneer of virtual reality tells his story Sunday, 17 December 2017 Read more...
Jools Holland and José Feliciano, Royal Albert Hall review - giving the audience what they expect Saturday, 25 November 2017 Read more...	An Evening with Pat Metheny, Barbican - sheer joy under the Missouri sky Saturday, 11 November 2017 Read more...
Marcel Proust: Letters to the Lady Upstairs - a very slim volume Sunday, 29 October 2017 Read more...	Grenfell Tower Benefit Concert, Cadogan Hall - stellar line-up for a vital cause Monday, 18 September 2017 Read more...
Sigrid Rausing: Mayhem review - you want it darker? Sunday, 03 September 2017 Read more...	Sebestyén, Budapest Festival Orchestra, Fischer, RFH Wednesday, 24 May 2017 Read more...
Total Immersion: Richard Rodney Bennett, Barbican Monday, 28 November 2016 Read more...	Jamie Barton, Wigmore Hall Wednesday, 26 October 2016 Read more...
Mariinsky Orchestra, Gergiev, Cadogan Hall Tuesday, 27 September 2016 Read more...	Prom 39: Johnston, BBCSO, Oramo Monday, 15 August 2016 Read more...

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The Midnight Bell, Sadler's Wells review - A first repr...

Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of...

Album: HAIM - I Quit

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...

Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

Ithell Colquhoun, Tate Britain review - revelations of a wei...

Tate Britain is currently offering two exhibitions...