tue 05/08/2025

Sebastian Scotney

Sebastian Scotney's picture

Articles By Sebastian Scotney

Nile Rodgers and Chic, Royal Festival Hall review – great band, shame about the sound

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Prom 17: Shaham, Bavarian RSO, Nézet-Séguin review – a Montrealer brings “l’fun”

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Josh Ritter, Union Chapel review - strong songs and a boyish smile

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Django Bates Belovèd Trio, Evan Parker, Wigmore Hall review – a one-off or a premiere?

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theartsdesk at the Montreal International Jazz Festival - fabulous at 40

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Milton Nascimento, Barbican review – besotted audience hails frail legend

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Alfredo Rodriguez and Pedrito Martinez, Ronnie Scott's review - Cuban wizards of piano and percussion

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The Bartered Bride, Garsington Opera review – musical glories, dramatic questions

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Michael Bublé, O2 Review – an entertainer second to none

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Mélanie De Biasio, QEH review – six years after 'No Deal'

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Mariah Carey, Royal Albert Hall review – fervent worshippers in Mariah-heaven

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Clara Mouriz, Roderick Williams, Joseph Middleton, Wigmore Hall review - the song recital as mixtape

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John Mayall, Ronnie Scott's review – the legend on his own terms

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Bebel Gilberto, Union Chapel review - less effort, more transcendence, please

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Love Supreme, Roundhouse review - Laura Mvula's defiant confidence tops the bill

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Janine Jansen, Alexander Gavrylyuk, Wigmore Hall review - a totally convincing recital

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'We are bowled over!' Thank you for your messages... ...
Káťa Kabanová, Glyndebourne review - emotional concentration...

Even more perhaps than straight theatre, opera seems to draw attention to the meaning behind what may on the face of it appear a simple story....

The Count of Monte Cristo, U&Drama review - silly telly...

Alexandre Dumas’ novel has been filmed an immeasurable number of times (there was a new French version only last year) and...

theartsdesk Q&A: filmmaker Dag Johan Haugerud on sex, lo...

"First love is always both terrible and wonderful at the same time", says the 60-year-Norwegian dramatist-novelist-director...

Edinburgh Fringe 2025 reviews: Lost Lear / Consumed

Lost Lear, Traverse Theatre ...

Edinburgh Fringe 2025 reviews - Alison Spittle / Christopher...

Alison Spittle, Monkey Barrel ★★★

Alison Spittle is fat, she tells us at the top of the show. But not as...

Blu-ray: Two Way Stretch / Heavens Above

The years between 1955’s The Ladykillers and 1964’s Dr Strangelove were the years of what Sanjeev Bhaskar recently described as...

Make It Happen, Edinburgh International Festival 2025 review...

You could distinctly hear the murmurs of recognition from the Edinburgh audience – responding to knowing mentions of the city’s Leith and...

Folkestone Triennial 2025 - landscape, seascape, art lovers...

A rare cloud form envelopes the headland and to the east and the west Folkestone is cut off from the known world. This mist shortens...

Edinburgh Fringe 2025 reviews - Rhys Darby / Alex Stringer

Rhys Darby, Pleasance Courtyard ★★★★

Rhys Darby, the New Zealand actor and...