tue 05/08/2025

Sebastian Scotney

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Articles By Sebastian Scotney

Joshua Redman Still Dreaming, Barbican review - world-class quartet

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Sarah Chang, Ashley Wass, Cadogan Hall review – a virtuoso's disturbing 'inner game'

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theartsdesk Q&A: concert pianist Lucy Parham

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Merry Christmas Baby - Gregory Porter & Friends, BBC Two review - mellow becomes slo-mo

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Albums of the Year 2018: Fiona Monbet - Contrebande

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Mahan Esfahani / Richard Goode, Wigmore Hall review - clarity and contrast from two keyboard masters

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EFG London Jazz Festival 2018, round-up review - winners young and old

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EFG London Jazz Festival, first weekend review - Jeff Goldblum a jazz musician?

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LSO, Roth, Barbican - not enough pathos, but a remarkable step-in

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They Might Be Giants, Barbican review - genuine, authentic humour

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LSO, Rattle, Barbican Hall review - a mixed bag of British composers

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Prom 39, West Side Story, Wilson review - best heard on the radio

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Proms 29 / 30, Swedish Chamber Orchestra, Dausgaard review - Bach Brandenburgs and beyond

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Paul Simon, BST Hyde Park review - still sprightly after 76 years

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Eric Clapton, Carlos Santana and Steve Winwood, BST Hyde Park review - the Clapton faithful in their droves

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Falstaff, Garsington Opera review - Sir John under pressure

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'We are bowled over!' Thank you for your messages... ...
Káťa Kabanová, Glyndebourne review - emotional concentration...

Even more perhaps than straight theatre, opera seems to draw attention to the meaning behind what may on the face of it appear a simple story....

The Count of Monte Cristo, U&Drama review - silly telly...

Alexandre Dumas’ novel has been filmed an immeasurable number of times (there was a new French version only last year) and...

theartsdesk Q&A: filmmaker Dag Johan Haugerud on sex, lo...

"First love is always both terrible and wonderful at the same time", says the 60-year-Norwegian dramatist-novelist-director...

Edinburgh Fringe 2025 reviews: Lost Lear / Consumed

Lost Lear, Traverse Theatre ...

Edinburgh Fringe 2025 reviews - Alison Spittle / Christopher...

Alison Spittle, Monkey Barrel ★★★

Alison Spittle is fat, she tells us at the top of the show. But not as...

Blu-ray: Two Way Stretch / Heavens Above

The years between 1955’s The Ladykillers and 1964’s Dr Strangelove were the years of what Sanjeev Bhaskar recently described as...

Make It Happen, Edinburgh International Festival 2025 review...

You could distinctly hear the murmurs of recognition from the Edinburgh audience – responding to knowing mentions of the city’s Leith and...

Folkestone Triennial 2025 - landscape, seascape, art lovers...

A rare cloud form envelopes the headland and to the east and the west Folkestone is cut off from the known world. This mist shortens...

Edinburgh Fringe 2025 reviews - Rhys Darby / Alex Stringer

Rhys Darby, Pleasance Courtyard ★★★★

Rhys Darby, the New Zealand actor and...