wed 18/06/2025

David Nice

David Nice's picture
Bio
The classical music and opera editor of theartsdesk, David writes, lectures and broadcasts on music. A former music critic for The Guardian and The Sunday Correspondent, he has made regular appearances on BBC Radio 3, not least in the long-running series Building a Library. He has written short studies on Elgar, Richard Strauss, Stravinsky, Tchaikovsky and the history of opera, and is currently working on the second volume of his Prokofiev biography for Yale University Press. He runs two Zoom lecture series, Opera in Depth on Mondays and a symphonies course on Thursdays.

Articles By David Nice

Gerstein, LSO, Rattle, Barbican review - American glitter and sinew

Read more...

The Creation, Alder, Clayton, Mofidian, LPO, Gardner, RFH review - dancing gay in green meadows

Read more...

St Matthew Passion, Irish Baroque Orchestra, Whelan, St Patrick’s Cathedral, Dublin review - fluency, fire and some jaw-dropping solos

Read more...

'Migrations' String Quartet Weekend, National Concert Hall, Dublin review - memorials and masterpieces

Read more...

Sánchez, National Symphony Orchestra, Martín, National Concert Hall, Dublin review - Spanish panache

Read more...

Turning the Screw, King’s Head Theatre review - Britten and the not-so-innocent

Read more...

Alder, RPO, Petrenko, RFH review - strings and soprano sing their hearts out

Read more...

The Handmaid's Tale, English National Opera review - last chance saloon for sub-Atwood baggy monster

Read more...

Elijah, LSO, Pappano, Barbican review - vivid declamation powers Old Testament blockbuster

Read more...

The Traitors, Series 2, BBC One review - back to the mind-labyrinth

Read more...

Igor Levit, Wigmore Hall review - every note of Brahms’ late genius carefully weighed

Read more...

Elektra, Royal Opera review - moral: don’t wait too long for revenge

Read more...

Jenůfa, LSO, Rattle, Barbican review - a variegated but gorgeous bouquet

Read more...

Boris Giltburg, Wigmore Hall review - epic heaven and hell

Read more...

Best of 2023: Classical music concerts

Read more...

Best of 2023: Opera

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

Blu-ray: Darling

A look at Darling on its 60th anniversary offers a sobering reality check on the "...