wed 18/06/2025

David Nice

David Nice's picture
Bio
The classical music and opera editor of theartsdesk, David writes, lectures and broadcasts on music. A former music critic for The Guardian and The Sunday Correspondent, he has made regular appearances on BBC Radio 3, not least in the long-running series Building a Library. He has written short studies on Elgar, Richard Strauss, Stravinsky, Tchaikovsky and the history of opera, and is currently working on the second volume of his Prokofiev biography for Yale University Press. He runs two Zoom lecture series, Opera in Depth on Mondays and a symphonies course on Thursdays.

Articles By David Nice

Prom 55, Ólafsson, Berlin Philharmonic, Petrenko review - stealth and sweep from the greatest

Read more...

Prom 52, Carmen, Glyndebourne Festival review - fine-tuning a masterpiece

Read more...

Prom 50, Fujita, Czech Philharmonic, Hrůša review - revelations where least expected

Read more...

Prom 30, National Youth Orchestra, NYO Inspire, Bloch, Jackson review - sheer youthful joy, passion and precision

Read more...

Prom 23, Grosvenor, LPO, Gardner review - strange meetings

Read more...

theartsdesk at the Haapsalu Early Music Festival 2024 - other-worldly instruments, perfect programmes and haunting venues

Read more...

Prom 19, Rummukainen, Dandy, BBCSO, Oramo review - inward reflections and choral transcendence

Read more...

Tristan und Isolde, Glyndebourne review - infinite love at white heat

Read more...

Prom 17, Kozhukhin, RPO, Petrenko review - four tripartite masterpieces

Read more...

theartsdesk Q&A: violinist Braimah and cellist Sheku Kanneh-Mason, guitarist Plínio Fernandes, on their two Fantasia Proms

Read more...

Prom 6, Verdi's Requiem, BBCNOW, Bancroft review - running the emotional gamut

Read more...

Hello, Dolly!, London Palladium review - Imelda Staunton makes every line a deal-broker

Read more...

theartsdesk at the Pärnu Music Festival 2024 - youth, experience and old mastery on the highest level

Read more...

theartsdesk Q&A: violinist and music director Pekka Kuusisto on staged Shostakovich, Sibelius, sound architecture and folk fiddling

Read more...

Le nozze di Figaro, Garsington Opera review - fine-tuned telling it as it is

Read more...

Nardus Williams, Elizabeth Kenny, Spitalfields Music Festival review - layers behind a sweet Tower hour

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

Blu-ray: Darling

A look at Darling on its 60th anniversary offers a sobering reality check on the "...