thu 19/06/2025

David Nice

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Bio
The classical music and opera editor of theartsdesk, David writes, lectures and broadcasts on music. A former music critic for The Guardian and The Sunday Correspondent, he has made regular appearances on BBC Radio 3, not least in the long-running series Building a Library. He has written short studies on Elgar, Richard Strauss, Stravinsky, Tchaikovsky and the history of opera, and is currently working on the second volume of his Prokofiev biography for Yale University Press. He runs two Zoom lecture series, Opera in Depth on Mondays and a symphonies course on Thursdays.

Articles By David Nice

Prom 38: Audience Choice, Budapest Festival Orchestra, Fischer 2 review - true democracy or tricksy referendum?

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Prom 31: Dialogues des Carmélites, Glyndebourne, BBC Radio 3 review - full force on air

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Prom 28: Rangwanasha, National Youth Orchestra, Prieto review - playing, and singing, with a swing

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theartsdesk at the Pärnu Music Festival 2023 - small seaside town, biggest roster of top players

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theartsdesk at the Ravenna Festival - invisible cities and possible dreams

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Don Carlo, Royal Opera review - Lise Davidsen soars above routine

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Ligeti Day; Kolesnikov/Tsoy, Aldeburgh Festival review - 14 musicians, 16 premieres and 100 metronomes

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Ariadne auf Naxos, Garsington Opera review - golden thread leads to deep emotion

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Il trovatore, Royal Opera review - heaven and hell

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Happy Days, Landmark Productions, Cork Opera House - to the end of the earth

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Borletti-Buitoni Trust 20th Anniversary Weekend, Bold Tendencies, Wigmore Hall review - dazzling past, present and future

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Dialogues des Carmélites, Glyndebourne review - faith overwhelmed by horror

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theartsdesk in Denmark - celebrating Nielsen in high style

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Princess Ida, OAE, Wilson, QEH review - musical brilliance undermined by textual botch

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Handel for the King, Le Concert Spirituel, Niquet, Wigmore Hall at St James's Spanish Place review - post-coronation celebrations

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Concert Theatre DSCH, Norwegian CO, Oslo Opera House Scene 2 review - Shostakovich choreographed for strings and accordion

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Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...