thu 19/06/2025

David Nice

David Nice's picture
Bio
The classical music and opera editor of theartsdesk, David writes, lectures and broadcasts on music. A former music critic for The Guardian and The Sunday Correspondent, he has made regular appearances on BBC Radio 3, not least in the long-running series Building a Library. He has written short studies on Elgar, Richard Strauss, Stravinsky, Tchaikovsky and the history of opera, and is currently working on the second volume of his Prokofiev biography for Yale University Press. He runs two Zoom lecture series, Opera in Depth on Mondays and a symphonies course on Thursdays.

Articles By David Nice

Un ballo in maschera, Chelsea Opera Group, Cadogan Hall review - Italianate vitality, if not much finesse

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Rice, Ridout, Drake / A Human Document, Oxford International Song Festival review - a cornucopia of song, speech and vision

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Iolanthe, English National Opera review - still gorgeous but ever so slightly less funny than before

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Kopatchinskaja, LSO, Pappano, Barbican review - dancing on the volcano

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Skride, National Symphony Orchestra, Matheuz, National Concert Hall, Dublin - musical philosophies soar

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Faust, Irish National Opera review - world-class singing turns the musical-dramatic screw

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Fung, RPO, Schwarz, Cadogan Hall review - high style from new cellist and conductor on the block

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Mad Rush, Carol Williams, RFH review - a rainbow of organ colours

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Peter Grimes, English National Opera review - not quite the pity or the truth

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Pygmalion, Old Vic review - zappy wit and emotional intelligence

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Brahms Piano Sonatas, Elisabeth Leonskaja, Wigmore Hall review - when giants meet

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Denk, Danish String Quartet, Wigmore Hall review - metaphysical strings, the piano as chameleon

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Das Rheingold, Royal Opera - knotty, riveting route to destruction

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Prom 60: Gerstein, Berlin RSO, Jurowski review - a master conductor returns with his German band

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Prom 55: Thibaudet, Boston Symphony Orchestra, Nelsons review - old-style showmanship

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Prom 42: Cho, Philharmonia, Rouvali review - inflation offset by sweet oases

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latest in today

'We are bowled over!' Thank you for your messages... ...
The Midnight Bell, Sadler's Wells review - A first repr...

Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of...

Album: HAIM - I Quit

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...

Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...