Theatre Reviews
Brilliant Jerks, Southwark Playhouse review - busy three-hander casts a biting glance toward UberWednesday, 08 March 2023
It never hurts the trajectory of a promising young playwright if they have a good eye for the zeitgeist, and the writer Joseph Charlton can certainly be said to possess that. His last play Anna X, inspired by high society scammer Anna Delvey and starring Emma Corrin, was a briefly-seen West End success post-pandemic and was staged several months before Netflix aired its phenomenally successful Inventing Anna series. Read more... |
Sleepova, Bush Theatre review - sweet coming of age play with a soft centreMonday, 06 March 2023
Can a play ever be a bit too much like real life? The thought came to me while watching Matilda Feyisayo Ibini’s entertaining new play Sleepova at the Bush. Read more... |
The Winter's Tale, Shakespeare's Globe review - clever concept never quite catches fireSaturday, 04 March 2023
As course after course of Noma-style creations are served up to Leontes and his guests – curious mouthfuls with their accompanying spoons, edible branches as though straight from the tree, elaborate miniatures ritually revealed from beneath a cloche – it’s clear that, in Sicilia, eating is scarcely the point. When you dine among sleek Swedish interiors, surrounded by a military drill-team of waiters, it’s hardly going to be about anything so vulgar as appetite, is it? Read more... |
Truth's a Dog Must to Kennel, Battersea Arts Centre review - King Lear goes virtualThursday, 02 March 2023
Has theatre’s time passed? In Tim Crouch’s latest 70-minute show, first staged at the Royal Lyceum Theatre in Edinburgh last year and now at Battersea Arts Centre (BAC) in south London, the nature of live performance is interrogated by this innovative and imaginative theatre-maker, with a little help from a virtual reality headset and William Shakespeare. Read more... |
Oklahoma!, Wyndham's Theatre review - radical reimagining adds plenty but achieves lessWednesday, 01 March 2023
It is, perhaps, important to note that this production was first staged in London at the Young Vic, a venue noted for shows possessed of a rather harder edge than that usually connoted by the description "West End musical". Read more... |
The Walworth Farce, Southwark Playhouse Elephant review - dysfunctional Irish myth-makingMonday, 27 February 2023
The farce in question is fast and furious, but not often hilariously funny; that’s because it’s the invention of a scary Irish dad who forces his sons to act it out with him every day in their seedy Walworth Road flat. Go with conventional expectations and you’ll be wrong-footed, or downright disappointed; Enda Walsh pushes boundaries, pulls the dirty rug from under our feet. Vividly acted, directed and designed, this revival of his 2006 two-acter suggests it’s a masterpiece. Read more... |
Grenfell: System Failure, Playground Theatre review - if this doesn't make you angry, nothing willSaturday, 25 February 2023
It’s been five years since 72 people died in the Grenfell Tower fire in West London. Five years and no arrests, as countless placards and posters around the neighbourhood point out. Read more... |
Women, Beware the Devil, Almeida Theatre review - bewitching, up to a pointThursday, 23 February 2023
A man in modern garb reads a tabloid newspaper and makes smarmy wisecracks about the malaise of contemporary Britain – strikes, NHS waiting lists and the rest of it. But hang on a minute: isn’t this meant to be a period drama? Read more... |
Trouble in Butetown, Donmar Warehouse review - entertaining and warmheartedWednesday, 22 February 2023
With the fast-approaching anniversary of the latest war in Europe, our culture’s continued fascination with World War Two gets a contemporary boost from Trouble in Butetown at the Donmar Warehouse. Read more... |
Akedah, Hampstead Theatre review - long-separated sisters reunite to battle over their pastWednesday, 22 February 2023
Michael John O’Neill’s first full-length play, premiering at the Hampstead's studio space downstairs, is a puzzler. There’s the title, to start with, a Hebrew word that means “binding” and is a reference to the story of Abraham preparing his son Isaac, at God’s command, to be sacrificed. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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